Geert Van Gele

Si Dolce Tormento Claudio Monteverdi

Amarilli Mia Bella Caccini & Van Eyck (from Der Fluyten Lusthof) Geert Van Gele, recorder

Gelosia Luigi Rossi

Un Di Soletto Jacopo Peri

Amor Dormiglioni Barbara Strozzi

Adelaide's Lament by Ellen Delahanty, Antwerp, Belgium 2016

Announcing our first streaming concert in our new recording space

Thoughts on the Recorder, video 3: Choosing a recorder, level 3

Fantasia 1, 2, 3 G. Ph. Telemann - Geert Van Gele, recorder

kennismaking met de blokfluit / get to know the recorder; introduction to the recorder

J.J. Van Eyck English Nightingale / Engels Nachtegaeltje

Thoughts on the Recorder, Video 35: Medieval Repertoire

Thoughts on the Recorder, Video 34: Renaissance Repertoire: Notations, Diminutions

Thoughts on the Recorder, Video 33: Renaissance Repertoire: Thoughts on Playing in Consort

Thoughts on the Recorder, Video 32: Renaissance repertoire: how to familiarise with its music

Thoughts on the Recorder, Video 31: Interpreting Jazzy Music

Thoughts on the Recorder, Video 30: Interpreting Experimental Contemporary Music

Thoughts on the Recorder, Video 29: Interpreting English Baroque Music

Thoughts on the Recorder, Video 28: Interpreting French Baroque Music

Thoughts on the Recorder, Video 27: Interpreting Tonal Contemporary Music

Thoughts on the Recorder, Video 26: Interpreting Rococo Music

Thoughts on the Recorder, Video 25: Interpreting Italian Early Baroque Music

Thoughts on the Recorder, Video 24: Interpreting Italian and German High Baroque Music.

Thoughts on the Recorder, Video 23: General Interpretation of Fast Movements

Thoughts on the Recorder, Video 22: Interpretation through Analysis

Thoughts on the Recorder, Video 21: Reading from Historical Sources

Thoughts on the Recorder, Video 20: Advanced Sound Production, Stage II

Thoughts on the Recorder, Video 19: Vibrato

Thoughts on the Recorder, Video 18: Advanced Sound Production stage I