MusicRadar Tech

3 tips for better basslines, riffs and sequences in Ableton Live

Plaid: In the studio with the Warp Records mainstays – FROM THE ARCHIVE (2019)

Hands-on with Roland's TR-1000: How to use sequencing, sampling, Morph and more

Don't Be Afraid boss Semtek (aka DJ Persuasion) shares 15 years' worth of house and techno knowledge

Capture ideas anywhere with Hisong's AirStudio S1 pocket-sized mobile recording capsule

MJ Cole: In the studio with a UK garage legend – FROM THE ARCHIVE (2017)

3 ways to spice up your chord progressions in Ableton Live 12

Akai MPC Live III: 5 things we love... but is it better than Push 3?

Eluize makes a house track from scratch with Ableton Push and Live – In The Studio

"A few little annoyances... but we do really love this thing": Sequential Fourm first look review

Ranked: Teenage Engineering Pocket Operators - worst to best

Flava D breaks down the making of Reesey Thing (Hospital Records) – In the studio

"I like beautiful mistakes": Adrian Sherwood on dub, studio techniques & how AI assisted his new LP

5 ESSENTIAL ways to use distortion in Ableton Live: From tighter drums to dub delays

"DnB is the ultimate learning curve": Flava D on her journey from grime to DnB and new LP Here & Now

Better bass: 7 pro electronic artists share advanced bass sound design techniques and synth tips

Silva Bumpa on his go-to studio techniques and tools: "I spend all my money on instrument VSTs"

"It's outrageous the stuff that we used to do just to get sounds": Disciples interview

Everybody needs a 101... and Donner's L1 is a decent, affordable version

Flava D makes a liquid DnB beat from scratch – In The Studio

Silva Bumpa breaks down Feel Da Same: "I wanted a piano hook with a very euphoric energy"

Sound design in Ableton Live: 6 ways to bring your tracks to life with Auto Filter

Why Audiomodern Filterstep is a fantastic free plugin... and how to use it

Disciples break down the making of Starlight: "The whole point of studio sessions is to experiment"

Pigments 6 vs Serum 2 – software synths head-to-head: What's new? Which is best for your workflow?

"I had my 15 minutes, which I hated": Riva Starr on his career, studio and mixing with analogue gear

Break out of the loop: 8 pro producers explain how to turn basic ideas into finished tracks

"The value of music has dropped considerably": Joe Armon-Jones on All The Quiet's musical apocalypse

Why Odin 2 is a fantastic free synth... and how to use it

Breaka talks production tips and making his album Aeoui: "You can't write dance tracks in C# minor"