Aliaksandr Naidzenka

Kenwood kx-5010 vs Victor TD-V721 / metal tape recording

Kenwood kx-5010 Japan version

Victor TD-V707 rec bias frequency 210 kHz

Victor TD-V707 calibration issue

Victor TD-V707 1st Inst. vs Victor TD-V721

Victor TD-V721 percussion check

Victor TD-V721 AU Synth Pop 1986

Victor TD-V707 1st Inst. Axia K2 80 / recording part 2

Victor TD-V707 1st Inst. Axia K2 80 rec response / recording part 1

Kenwood kx-9010 vs Victor TD-V721 part II

Kenwood kx-9010 vs Victor TD-V721 part I

Victor TD-V707 2nd Inst. 八神純子 真実は傷つくもの･･････

Victor TD-V707 2nd Inst. BASF Ferro Extra I 90 [Yello 1994] / recording part 2

Victor TD-V707 2nd Inst. BASF Ferro Extra I 90 rec response / recording part 1

Victor TD-V707 2nd Inst. Dream House 1996 / chrome tape recording

Kenwood kx-9010 UK Crossover Jazz 1988

Victor TD-V707 2nd Inst. USA Hard Rock Instrumental 1990

Victor TD V707 1st Inst. Japan Synth Pop 1987

Victor TD-V707 1st Inst. Germany Melodic Hard Rock 1990

Kenwood kx-9010 vs Victor TD-V707 1st Inst. part II

Victor TD-V707 1st Inst. azimuth check

Kenwood kx-9010 vs Victor TD-V707 1st Inst. part I

Kenwood kx-9010 USA Crossover Jazz / metal tape recording

Victor TD-V707 1st Inst. Crystal sound of Victor II [space-synth 1990]

Kenwood kx-9010 Japan Heavy Metal / normal tape recording

Kenwood kx-9010 wow & flutter 2nd attempt - improved

Kenwood kx-9010 best resolution / USA Crossover Jazz 1985

Victor TD-V707 2nd Inst. USA Glam Rock [Ratt 1991] / metal tape recording

Victor TD-V707 1st Inst. Crystal sound of Victor [space-synth 1990]

JVC TD-R611 UK Crossover Jazz 1988