ONODA MINORU 小野田實

ONODA Minoru (1937-2008)
小野田實
He was inspired by meaninglessness of an infinite number of readymades produced in automated factories. He published " Theory of Propagation Painting" in 1961, and to exemplify those thoughts, started painting an infinite number of circles and lines referred to as "my circles". In 1965, he joined the Gutai group. Since the 2013 exhibition held at New York's Guggenheim Museum, he's been re-discovered and re-evaluated. Some of his paintings are in the collections of London's Tate Modern and other museums in Germany and the Netherlands.
オートメーション工場で作り出される「無数の同一の無意味さ」に驚異を感じ、1961年に『繁殖絵画」を唱え、そのイメージを視覚化するために無数の円＝「私のマル」を展開。1965年に具体美術協会（GUTAI）に参加。2013年
ニューヨークのグッゲンハイム美術館で展示以降、再評価が進む。作品はテートモダン（ロンドン）をはじめドイツ、オランダなど国内外の美術館に所蔵。

ASA-CHANG&巡礼「花」＋ONODA MINORU 1973-1983, filmed by Ufer! Art Documentary

ASA-CHANG&巡礼「魔法」+ ONODA MINORU 1984-1993,filmed by Ufer! Art Documentary

ASA-CHANG&巡礼「事件」@onodaminoru5338 1965-1970

ASA-CHANG&巡礼「海峡」+ ONODA MINORU 19911-2008, filmed by Ufer! Art Documentary

ONODA MINORU:1991−2008 Toward the Ultimate Void/ 究極の空隙へ・小野田實, filmed by Ufer! Art Documentary

ONODA MINORU:1984-1993 Voids/Gaps/ 空隙/間隙・小野田實, filmed by Ufer! Art Documentary

ONODA MINORU:1973-1983 Toward the Ultimate Maru/究極のマルへ・小野田實, filmed by Ufer! Art Documentary

ONODA MINORU:1965-1970 Propagation:Centralizing/Decentralzing/ 繁殖：向心/離心・小野田實, filmed by Ufer!

ONODA MINORU:1954-1966 The Dawn of “Watashi no Maru”/Propagation:Expanding-Contracting 私のマル・小野田實

ONODA MINORU+ASA-CHANG&Junray [花〜繁殖絵画論ver./ HANA-A Theory of Propagation Painting ver.]by Ufer!