Angus Davies
Hi! I'm a narrative and commercial cinematographer based in the UK, and in my spare time, I'm creating video essays surrounding my favourite films, cinematographers, directors and genres.
I'm currently trying to branch out a bit and create videos that I just haven't had the opportunity to yet (for obvious reasons), but if you have any ideas for a video you would like to see, leave a comment anywhere.
Welcome!
Socials:
Instagram - instagram.com/angusdaviesdp
Letterboxd - letterboxd.com/Angus_D
Twitter - twitter.com/AngusDaviesDP
Website - angusdavies.com
Art vs. Money: One for Me, One for Them
The Future of CINEMATOGRAPHY
WATCH THIS if you LOVED Asteroid City
Free Films Every Filmmaker NEEDS TO WATCH
The Art of the Long Take: How Filmmakers Captivate Audiences
Tár - Observant Cinematography
I watched a movie EVERY DAY for 1265 days - Here’s why you shouldn't
My Favourite Films of the Year
Films Every Aspiring Cinematographer NEEDS TO WATCH - Part Three
How Sean Baker shot Tangerine
The Best Films I Watched in November
The Animation of The French Dispatch
Pearl - Juxtaposed Cinematography
Why films are shot in 24FPS
The Best Films I Watched in October
Unconventional Horror Cinematography
Four Photographers Every Cinematographer NEEDS TO KNOW
How Robert Yeoman shot The French Dispatch
The Best Films I Watched in September
Casey Neistat's Filmmaking Style
How Roger Deakins shot True Grit
Frances Ha - Authenticity in Cinematography
The BEST Films I Watched in August
How Hoyte van Hoytema shot NOPE
Film Stock Simplified - Part Five
How Emmanuel Lubezki shot The Tree of Life
The BEST Cinematography Resources - Part Two
In The Mood For Love - Romantic Cinematography
How Robbie Ryan shot Marriage Story
Films Every Aspiring Cinematographer Needs to Watch - Part Two