ACTOR's Timbre and Orchestration Resource
The Timbre and Orchestration Resource for the Analysis, Creation, and Teaching of Orchestration (ACTOR) project
ACTOR Y6 Workshop - Student Presentations
ACTOR Y5 Workshop - Student Presentations
ACTOR Y4 Workshop - Student Presentations
V CIRMMT-ACTOR Symposium on Orchestration Research
IX CIRMMT-ACTOR Symposium on Orchestration Research
VIII CIRMMT-ACTOR Symposium on Orchestration Research
VII CIRMMT-ACTOR Symposium on Orchestration Research
The Sound Fields of Music that Escape Conventional Notation
ACTOR Orchestration Pedagogy Workshop
ACTOR Project - Research, Workgroups, and Outputs
CORE Round 3 Concert McGill
Amazing Moments in Orchestration
Teaching Timbre: The Hammond Organ, Black Gospel, and the Politics of Presets | by Braxton Shelley
Yorùbá Language Tonality as Basis of Orchestration | by Ayò Olúrántí
The Timbre of Early Blackface in the Making of (Black) Americana | by Dr. Matthew D. Morrison
How the cello became a vehicle for arranging Haitian songs | by Leyla McCalla
ACTOR EduFilm 6 | The Mysteries of Orchestration
ACTOR EduFilm 5 | Does Gender Have a Timbre?
Designing and Delivering Effective Research Presentations
ACTOR EduFilm 4 | Timbre and Cover Songs
ACTOR EduFilm 3 | Timbre and Culture
Afro Caribbean Music: An International Impact on Culture and Aesthetic for Ensembles | by Joel Smith
Orchestration: a functional approach to sound organization in African music | Andile Khumalo
Zhōng | Claus-Steffen Mahnkopf
Between Worlds: Strategies in Timbre and Orchestration | Chen Yao
EduFilm #2 | Cameron intermodal
EduFilm #1 | Qu'est-ce que ACTOR?
An Afrological Approach to the Study of Sonic Representations from African American Band Tradition
Crunk, Trap, and Compositional Representations of Embodied Experiences | Kevin Holt
Training and Mentoring Committee (TMC) CV Workshop