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2nd Position: La Folia by Corelli
Half Shift Technique: Tchaikovsky Concerto
Bow Stokes as Dynamics: Wieniawski Caprice no.4
Fast Arpeggios on G String: Wieniawski Caprice no.4
Chords with Fast Down Bows: Bruch Concerto
Left Hand Frame in 4th Position: Schradieck no.12
5 Tips to Control Shaky Bow at Shifting : Handel Sonata no. 4, 3rd mov Larghetto
3 Tips for Relaxed Double Stops: Mazas Book 3. no.63
Am I Too Old to Learn?
Improve Your Counting: Dance of the Sugar Plum Fairy by Tchaikovsky
5 Tips for Arpeggio Practice : Bb minor and Bb Major 3 Octave Arpeggios
Ideal Bow Grip near Frog? : Vocalise by Rachmaninoff
3 Tips for Fingered Octaves: Wieniawski Concerto no.2
Why We Need 2 Music to Practice? : Chopin Nocturne no.20
Making Double Stop Shifting Easier: Spanish Dances by Sarasate
Legato, Ricochet, Flying Staccato and Spiccato: Introduction et Tarantelle by Sarasate
How to Ricochet: The Round of the Goblins by Bazzini
3 Tips in High Positions on G String: The Old Refrain by Kreisler
Mozart Spiccatos: Rondo by Mozart, arr. by Kreisler
3 совета по быстрым пассажам с двойными остановками: Прелюдия и Аллегро Крейслера
Musical Fingering vs Technical Fingering : Paganini Sonata op.3, no.6
3 Important Bow Techniques in Fugue : Bach Solo Sonata no.1, 2nd mov Fugue
Having a Slipping Finger When Vibrating?
5 Things to Avoid in Sight Reading: Mozart Divertimento K.136
Technique of Descending Scales: Paganini Caprice no.24 , var. 4
5 Checklist for Expressive Tone: Largo (Ombra mai fu) by Handel
2 Easily Missed Points for Strong Resonant Tone in High Positions: Thais Meditation
Forgotten Treasure of French Method: Beriot op.102
Keeping Fingers Close to Strings with Dounis? : Mazas no.16 (no.19 in different version)