Cullen Kelly
Professional colorist, image scientist, and educator obsessed with the power of a well-crafted image. My work has spanned narrative, commercial, and music video work showcasing the world's biggest brands and talent, and has included critically acclaimed series and Academy Award nominations. Alongside grading, I'm committed to helping my fellow filmmakers realize their creative vision in camera and in the grade.
You can check out my reel here: https://vimeo.com/1103200718
The Pro Colorist Way to Film Emulation (using free tools)
Избегайте этих 3 инструментов, если вы хотите быстрее оценивать
This is 80% of what makes your image look great (use it well)
Dunkirk colorist: What it really takes to make it as a colorist
Hollywood's grading "secret" was painfully obvious
Why every colorist should have the "2499" DCTL
Cinematic grades break these 3 rules
Stop using CSTs! Every colorist should have this DCTL
99% of colorists are overlooking the most important part of the grade
How to make ProRes RAW work in DaVinci Resolve (for pro work)
This Resolve tool is making you a lesser-skilled colorist
The best (and worst) saturation tools & techniques in Resolve
Is your node tree making your grading worse?
36 Project Settings for Pro Color Grading in Resolve
The "master painter" technique for better color grades
The 4 things even pro colorists get wrong
An Interview w/ Billy Hobson
The saturation tool you should never use again (and what to use instead)
Джокер-колорист — подробное интервью
Pro Colorist Explains: Hue vs Hue Curves in Resolve
Pro Colorist Explains: All 7 Curve Tools in Resolve
Why using temp & tint is terrible (even in HDR & Camera RAW)
Простая ошибка, которая испортит ваши высокие насыщенности
How to use ColorSlice like a pro (& when to NEVER use it)
Why your LUTs aren't making your images look better
3 LUT myths + Why do Hollywood LUTs work better?
I stole this trick from VFX artists
How to create studio-grade looks and LUTs in Resolve
An Interview with Maxine Gervais
An Interview with Andrea Chlebak