Frap Tools
State-of-the-art tools for modular synthesizers, designed and crafted in Italy.
Finally we ACTUALLY PLAYED a modular synth!
Learn how to use feedback loops and filter layerings to enhance your composition | Studio no. 6
11. Jerome Begin: choreography, electro-acoustic composition, and modular synth performance
On counterpoint, cross-FM, and analog+digital timbres | Studio no. 5 performance & patch breakdown
On tape loops, clocks, and sequences | patching Studio No.4 with Francesco Gennari
On Polyrhythms and Poymeters – live patching of Studio No.3 with Francesco Gennari
Frap Tools Magnolia, 8-voice analog thru-zero FM polyphonic synthesizer | Project update
Compressing Room Mics // In the Studio with the Frap Audio Dynamics 2806
Studio no. 2 on Stereo Dyads | Performance breakdown with Francesco Gennari
A use for aliasing that you may never have seen before!
Compressing a mix bus // In the studio with the Frap Audio Dynamics 2806
Trying to recreate Keith Emerson's sequencer trick of Karn Evil 9
Compressing and Expanding a Snare // In the studio with the Frap Audio Dynamics 2806
Some uses for triggers and bursts you probably did not know
10. Ben Carey: Feedback patching, instrument design, and resonances
On cross-FM and fake polyphony | Performance breakdown with Francesco Gennari
Dynamic stereo spread with Cunsa and Fumana!
9. Mat Watson: EMS Synthi, Perception of Time, and Challenging the Defaults
9. Mat Watson: EMS Synthi, Perception of Time, and Challenging the Defaults
Frap Tools BAGÀI in-depth tutorial: analog sample and hold, downsampler, bitcrusher, clock burst
PATCH A FILTER INTO AN OSCILLATOR FOR SOME CURSED SOUNDS!
Compressing Folk Vocals // In the studio with the Frap Audio Dynamics 2806
8. Sam Sakr: Textures, Music Production, and Sold Motorcycles
8. Sam Sakr: Textures, Music Production, and Sold Motorcycles
Super expo shapes and double quadrature with FALISTRI!
Distorting and sidechaining a 808 bass line // In the studio with the Frap Audio Dynamics 2806
Trevor Tunnacliffe: Early Music, Oceanography, and Modal Counterpoint
7. Trevor Tunnacliffe: Early Music, Oceanography, and Modal Counterpoint
Filters and beyond: a few less-conventional uses for the CUNSA modular filter
Let's record and compress a bass line with the Frap Audio Dynamics 2806