Remsy Atassi
A channel about filmmaking covering the art, technical, and business side.
Blazar Remus: Best Lightweight Anamorphics? (Long Term Review)
The Old 16mm Camera Nobody Should Use (But I Did)
COVENANT - Original 16mm Experimental Film Shot on Canon Scoopic 16
Short Film Retrospective | The Liar short film by Remsy Atassi
Goodbye to RED — Long Term Review of DSMC2 & Thoughts on RED Cameras
Veo 3 is Just Wrong
What's AI Doing to the Film Industry?
Should You Shoot Super 8 Film in 2025?
The Truth About Working in Film
The Algorithm Is Cursed
Sony FX9 Menus Explained – Full Menu Overview
Is the Sony FX9 Still Worth it in 2025?
Why Your Video Doesn’t Look Cinematic
Why Most Indie Films Lose Money (And How to Survive)
Red Dragon-X DSMC2 Menus Explained
What Creative Burnout Looks Like
How Much Should You Really Charge for a Video?
Which RED Camera Is Actually Worth Buying in 2025?
How I Made My Digital Footage Look Like Kodak Film (Free LUTs Inside)
Sony A7S III Still Worth It in 2025? (Best Settings Guide)
The Zeiss Contax 35mm f/1.4 – Still the Best Vintage Lens?
Build This 8x8 DIY Movable Wall for Your Studio — Full Walkthrough
How Do I Distribute My Indie Film?
Should I Submit My Film to Film Festivals?
Don’t Shoot 16mm in 2025 (Unless You’re Out of Your Mind)
LIQUID TRICKS | Relaxing Macro & Ink Short Film | Macro 4k Ink in Water
FX2: The Sony I Wanted… 5 Years Ago
3 Easy Interview Lighting Setups That Actually Work