Tucson Art Academy Online
We offer online art courses with leading American fine artists
Color Mixing In A Close Value Range | Matt Smith
Stop Cloning Shapes: Improve Your Drawing | Kenn Backhaus
Unification in Painting Composition | Colley Whisson
Palette Knife Techniques for Depth & Subtlety | Laura Robb
Почему великие художники копируют мастеров | Рэнди Секстон
Перспектива стала проще для художников | Митч Бэрд
Rethinking Sculpture Materials | Simon Kogan
Watercolor Foundations: Reviewing Key Lessons and Techniques | Andy Evansen
Breaking Down Contrast & Value in Painting | Skip Whitcomb
Analyzing Edges | Matt Smith
Fat Over Lean Rule Explained | Kenn Backhaus
When to Stop: Avoid Overworking Your Art | Colley Whisson
Figures in Still Life Composition | Laura Robb
Oiling Out: Restore Color & Work Into Dry Paint | Randy Sexton
Varnishing Paintings: Step-by-Step Guide + Best Products | Mitch Baird
Sculpting Process Breakdown: From Wood Block to Emotional Form | Simon Kogan
Make Figures Feel Natural in Your Paintings | Andy Evansen
A Masterclass in Warm & Cool Color Relationships for Stronger Compositions | Skip Whitcomb
Tips on Identifying Natural Light | Matt Smith
Learning to See Value Before Color | Kenn Backhaus
A Guide to Painting Strong Light | Colley Whisson
Selecting a Limited Palette for Still Life Painting | Laura Robb
All About Trees: Design, Value & Brushwork | Randy Sexton
Paint Application Techniques: Brush, Surface & Viscosity Explained | Mitch Baird
The Illusion of Full Form in Michelangelo’s Pietà Palestrina | Simon Kogan
The Key to Mastering Watercolor Starts with the Pencil | Andy Evansen
Enhance Your Landscapes with Smarter Use of Negative Space | Skip Whitcomb
Understanding Focal Points: Detail and Design in Painting | Matt Smith
Exploring Different Approaches to Texture | Kenn Backhaus
Simple Tips for Editing Reference Photos Before Painting | Colley Whisson