Paul Clift
Paul's music often attempts to make abstract associations with a diverse variety of concepts and disciplines, such as linguistics, modernist literature & painting, cognitive phenomena, and extra-European musical traditions, in particular the Shona tradition of Zimbabwe. His compositional outlook is marked by formative studies with George Benjamin, Jean-Luc Hervé, Fred Lerdahl, Philippe Leroux, Fabien Lévy & Tristan Murail. His works have been featured in festivals such as Agora, MATA & ISCM, and he has participated in festivals & master-classes including Royaumont Voix Nouvelles, Acanthes, Domaine Forget, IMPULS, June in Buffalo, MATRIX, Internationale Sommerakademie der MDW & Darmstadt Ferienkursen.
Paul Clift -- automation of the personalization process -- for two oboes, electronics and video
Paul Clift -- collective imaginary -- for chamber ensemble, video and electronics
Paul Clift -- le détour permet le retour -- for string quartet, electronics & video (2007, 2012)
Beat Furrer - Presto
Ivan Fedele "Donax"
Feedback Improvisation I
Feedback Improvisation II
Paul Clift -- Acoustic Aggregate Synthesis -- présentation IRCAM -- 24 nov. 2014
Franco Donatoni - Puppenspiel II
Paul Clift -- Colours are like memories of other colours -- for string octet & electronics (2014)
Salvatore Sciarrino: In Nomine Nominis (2001)
Salvatore Sciarrino: String quartet N°7
Salvatore Sciarrino: "Le Voci Sottovetro"
Salvatore Sciarrino: 'Introduzione All'Oscuro'
Salvatore Sciarrino: "Codex Purpeus I"
Salvatore Sciarrino: 'De o de do'
Salvatore Sciarrino: 'Responsorio delle Tenebre'
Salvatore Sciarrino: 'Archeologia del Telefono'
Salvatore Sciarrino 'Come vengono prodotti gli incantesimi?'
Paul Clift -- 1950-C -- for solo guitar (2011)
Paul Clift -- Le Détour Permet le Retour -- for string quartet, electronics & video (2012)
Paul Clift -- périphérique -- for fixed media
Paul Clift -- Infinite Regress -- for chamber ensemble (2011)