Berklee Online
Accessible, affordable, and career-focused, Berklee Online is the premier innovator and largest provider of worldwide music education. Since 2002, Berklee Online has provided more than 75,000 students from 144 countries the renowned curriculum of Berklee College of Music, at a fraction of the cost. Students receive expert music instruction and unparalleled networking opportunities through Berklee Online’s master’s programs, bachelor’s degree majors, certificate programs, and more than 200 courses. Berklee Online has received dozens of national awards in recognition of quality programming, instruction, and innovation in online education, and most tellingly, earned an unprecedented 97 percent student satisfaction rate in a recent graduate survey. Students emerge from Berklee Online with a portfolio of professional work—cultivated by critical feedback from Berklee College of Music’s same legendary instructors—and the skills to exceed the demands of a rapidly evolving music industry.
Music & Neuroscience: From Liking a Song to Needing It (Lesson 4) | Susan Rogers | Berklee 21/26
Music & Neuroscience: Why Sad Songs Make Us Feel Good (Lesson 3) | Susan Rogers | Berklee 19/26
Music & Neuroscience: Nucleus Accumbens (NAcc) & Musical Emotion (Lesson 3) | Susan Rogers 18/26
Music & Neuroscience: How Expectation Shapes Musical Joy (Lesson 3) | Susan Rogers | Berklee 17/26
Music & Neuroscience: Chills, Goosebumps, and Musical Anhedonia (Lesson 3) | Susan Rogers 16/26
Music & Neuroscience: The Science of Musical Emotion (Lesson 3) | Susan Rogers | Berklee 15/26
Music & Neuroscience: Risk, Reward, and Musical Taste (Lesson 2) | Susan Rogers | Berklee 13/26
Music & Neuroscience: Why We Like the Music We Like (Lesson 2) | Susan Rogers | Berklee Online 12/26
Music & Neuroscience: Cultural Differences (and Similarities!) (Lesson 2) | Susan Rogers 11/26
Music & Neuroscience: Why Tonality Shapes How We Hear (Lesson 2) | Susan Rogers | Berklee 10/26
Music & Neuroscience: How Rhythm Guides the Brain (Lesson 2) | Susan Rogers | Berklee Online 9/26
Music & Neuroscience: Dopamine and the Joy of Music (Lesson 1) | Susan Rogers | Berklee 7/26
Music & Neuroscience: The Brain’s Song & Dance Connection (Lesson 1) | Susan Rogers | Berklee 6/26
Music & Neuroscience: Ventral & Dorsal Auditory Paths (Lesson 1) | Susan Rogers | Berklee 5/26
Music & Neuroscience: How Our Brains Extract Rhythm from Music (Lesson 1) | Susan Rogers 4/26
Music & Neuroscience: Speech vs. Melody (Lesson 1) | Susan Rogers | Berklee Online 3/26
Keyboard Techniques for Songwriters: Vocal Melody Drones Over Moving Piano Parts | Bonnie Hayes
Keyboard Techniques for Songwriters: Piano Drumming Rhythm Accompaniment | Sarah Brindell | Berklee
Keyboard Techniques for Songwriters: Voice Leading & Drones on Piano | Bonnie Hayes | Sarah Brindell
Keyboard Techniques for Songwriters: Visualizing Key Fields on Piano | Bonnie Hayes | Sarah Brindell
Intro to Meditation & Wellness for Artists & Musicians: Ryan Cunningham on Starting to Meditate
Expect the Unexpected and Say ‘Yes’ to Yourself: Kamilah Marshall Berklee Onsite Keynote 2025
Wellness for Artists & Musicians: Marcela Castillo-Rama Talks Nutrition on a Budget | Healthy Eating
Wellness for Artists & Musicians: Jacqui Bonwell on Proprioception | Central Nervous System & Limbs
Chromatic Writing & Analysis: Neo-Riemannian (Pan-Triadic) Transformations | Hugo Riemann Berklee
Wellness for Artists & Musicians: Jacqui Bonwell on Nervous System & Downregulation for Good Sleep
Songwriting of Taylor Swift: Stable Vs. Unstable Tones | Matching Lyrics & Melodies to Emotions
Songwriting of Taylor Swift: Using the 5 Senses | Sense-Bound Writing | Berklee | Scarlet Keys
Songwriting of Taylor Swift: The Content Triangle of Language (Emotional, Literal, and Figurative)
Songwriting of Taylor Swift: Pen Styles & Lyrical Voices | Scarlet Keys | Berklee Online