Mirjam Laetitia Haag
https://www.mirjamlaetitiahaag.de/
Mirjam Haag currently serves as the assistant organist on the world-famous Hildebrandt Organ (1746) in Naumburg (DE). Her organ studies have led her to Rottenburg a.N., Stuttgart, Leipzig and Weimar and have yielded study fellowships in Valparaiso (USA) and Groningen (NL). Additionally, she studied Mathematics and Music Education. Her teachers include Prof. Helmut Deutsch, Prof. Vincent Bernhardt, Prof. Sietze de Vries (NL), Prof. Ruben Sturm and Prof. Johannes Mayr. Her studies in music and mathematics have been supported by the Hanns Seidel Stiftung since 2015. She is in strong demand for solo concerts and collaborative musical projects throughout Germany, the Netherlands, Skandanavia, Israel, Italy, USA, Mexico, etc. You can discover more about her and engage her for concerts under her website.
Jehan Alain (1911 – 1940): Première Fantaisie
Franz Liszt - Ad nos, ad salutarem undam
César Franck (1822-90): Choral Nr. 2 h-Moll
Dieterich Buxtehude (1637-1707); Präludium in g-Moll, BUXWV 163
J.S. Bach: Passacaglia c-Moll, BWV 582
Charles Arnaud Tournemire (1870-1939), Choral-Improvisation sur „Le Victimae paschali“
Improvisation in Sonataform - Live-concert
Johann Sebastian Bach (1685 – 1750); Prelude and Fugue in G Major, BWV 541
Felix Mendelssohn-Bartholdy, Sonata Nr. 4 in B-Dur, op. 65, 4. Satz, Allegro maestoso e vivace.
Felix Mendelssohn-Bartholdy (1809-47), Sonata Nr. 4 in B-Dur, op. 65, 3. Satz Allegretto.
Felix Mendelssohn-Bartholdy (1809-47), Sonata Nr. 4 in B-Dur, op. 65, 1. Satz Allegro con brio.
Felix Mendelssohn-Bartholdy (1809-47), Sonata Nr. 4 in B-Dur, op. 65, 2. Satz, Andante religioso.
Improvisation: Trio über "Nun danket alle Gott"
Partita über "Erhalt uns, Herr, bei deinem Wort" (Noordbroek, Groningen)
Dieterich Buxtehude (1637 – 1707), Nun freut euch, lieben Christen g'mein, BuxWV 210
Jehain Alain, Litanies JA119
Antonio Vivaldi (1678-1741), Concerto A-Moll, 3. Satz, RV 522 (Transkription – J.S. Bach, BWV 593)
Johann Sebastian Bach (1685 – 1750): Präludium und Fuge in E-Moll, BWV 548
Franz Tunder (1614-1667): Komm, Heilger Geist, Herre Gott
Johann Sebastian Bach: Trio in G-Dur nach BWV 1027/2 bzw. 1039/2
Johann Sebastian Bach (1685 – 1750), Präludium und Fuge in h-Moll, BWV 544
Jan Pieterszoon Sveelinck (1562-1621), Fantasia cromatica, SwWV 258
Verona, San Tomasso, Improvisation in Live-concert
Trailer: 22 Fingers - Gershwin's Rhapsody in Blue in a new arrangement
Max Reger (1873-1916): Fantasie und Fuge über den Namen BACH, op.46
Johann Sebastian Bach (1685 – 1750): Fantasie und Fuge in g-Moll, BWV 542
Charles-Marie Widor (1844-1937): 2. Satz „Allegro cantabile“ aus der Symphonie pour Orgue N°5 f-Moll
Dietrich Buxtehude (1637-1707): Herr Christ, der einig Gottes Sohn, BuxWV191
Improvised sonata movement in romantic style
Charles Marie Widor (1844-1937): Symphonie pour Orgue N°5 f-Moll, 1. Satz „Allegro vivace“