Funky Junk Italy
Pro-audio equipment and solutions for recording studios and broadcast.
Telefunken Microphones Comparison | Raw Recordings + Mixed Versions
Neve 88R LBC Compressor | Audio Demo on Vocals and Electric Guitar
Exclusive Interview with Chris Berens | Audeze LCD-S20
Neumann U87 Ai vs Vintage | Comparison
Inside the New Dolby Atmos Studio | Funky Junk x RCA Recording Studios Milan
Neve 88C Dual Desktop Dynamic | Audio Demo on Electric Bass
Interview with Ollie Thomas | PMC Speaker co-CEO
10 High-End Microphones: Ultimate Mic Shootout
Eventide H910 Harmonizer Demo: exploring the classic Pitch-Shift & Delay Effects
[ Audio Demo ] Roland RE-501 Chorus Echo + Oberheim Xpander
[ Audio Demo ] Oberheim Xpander | Original & Custom Patches
Saturators Shootout: Thermionic The Culture Vulture VS Overstayer Saturator NT-02
Unboxing the API The Box II | Audio production console
Mic Shootout on Drums: Neumann U87 Ai, U67 Vintage, U67 Modern, Flea M251
Mic Shootout on Acoustic Guitar: Neumann U87 Ai, U67 Vintage, U67 New, Flea M251, Telefunken C12
[ Comparison ] Stereo Compressors Demo and Comparison | Neve, Thermionic, Maselec & Vertigo
[ Review ] Mercury 666 Studio Limiting Amplifier
[ Review ] Fairchild 670
[ Review ] Prism Sound Dream ADA-128
Fairchild Model 670 | The Legend reborn.
[ Review ] Maselec MLA-2 Precision Stereo Compressor
[ Review ] Dangerous Music 2-BUS-XT Analog Summing Mixer
[ Audio Demo ] Dangerous Music 2-BUS-XT Analog Summing Mixer
[ Review ] Neve 88M Dual Mic Audio Interface
[ Audio Demo ] Q2 Audio F760X-RS "Compex Limiter"
[ Interview ] Omnia Audio Processing per DAB e Digital Radio | Con Max Pandini
[ Interview ] Omnia Audio Processing per le radio | Con Max Pandini
[ Audio Demo ] Buzz Audio REQ-2.2 ME
[ Review ] Solid State Logic The Bus+