Funky Junk Italy

Telefunken Microphones Comparison | Raw Recordings + Mixed Versions

Neve 88R LBC Compressor | Audio Demo on Vocals and Electric Guitar

Exclusive Interview with Chris Berens | Audeze LCD-S20

Neumann U87 Ai vs Vintage | Comparison

Inside the New Dolby Atmos Studio | Funky Junk x RCA Recording Studios Milan

Neve 88C Dual Desktop Dynamic | Audio Demo on Electric Bass

Interview with Ollie Thomas | PMC Speaker co-CEO

10 High-End Microphones: Ultimate Mic Shootout

Eventide H910 Harmonizer Demo: exploring the classic Pitch-Shift & Delay Effects

[ Audio Demo ] Roland RE-501 Chorus Echo + Oberheim Xpander

[ Audio Demo ] Oberheim Xpander | Original & Custom Patches

Saturators Shootout: Thermionic The Culture Vulture VS Overstayer Saturator NT-02

Unboxing the API The Box II | Audio production console

Mic Shootout on Drums: Neumann U87 Ai, U67 Vintage, U67 Modern, Flea M251

Mic Shootout on Acoustic Guitar: Neumann U87 Ai, U67 Vintage, U67 New, Flea M251, Telefunken C12

[ Comparison ] Stereo Compressors Demo and Comparison | Neve, Thermionic, Maselec & Vertigo

[ Review ] Mercury 666 Studio Limiting Amplifier

[ Review ] Fairchild 670

[ Review ] Prism Sound Dream ADA-128

Fairchild Model 670 | The Legend reborn.

[ Review ] Maselec MLA-2 Precision Stereo Compressor

[ Review ] Dangerous Music 2-BUS-XT Analog Summing Mixer

[ Audio Demo ] Dangerous Music 2-BUS-XT Analog Summing Mixer

[ Review ] Neve 88M Dual Mic Audio Interface

[ Audio Demo ] Q2 Audio F760X-RS "Compex Limiter"

[ Interview ] Omnia Audio Processing per DAB e Digital Radio | Con Max Pandini

[ Interview ] Omnia Audio Processing per le radio | Con Max Pandini

[ Audio Demo ] Buzz Audio REQ-2.2 ME

[ Review ] Solid State Logic The Bus+