Alan Coghlan

The Anschlag In Beethoven's Tempest Sonata - CPE Bach, On The Anschlag (pt.1.3)

Schubert - Sonata in Bb Major, D.960 (1st movement)

Base Details - CPE Bach, On The Anschlag (pt.1.2)

What Is A Principal Note? - CPE Bach, On The Anschlag (pt.1.1)

An Introduction to the Anschlag - CPE Bach, Essay on the True Way to Play the Piano

Beethoven - Sonata No.7 in D major, Op.10 no.3 (4th movement)

Beethoven - Sonata No.7 in D major, Op.10 no.3 (3rd movement)

Beethoven - Sonata No.7 in D major, Op.10 no.3 (2nd movement)

Schubert Karaoke: Erlkönig Op.1

Beethoven - Sonata No.7 in D major, Op.10 no.3 (1st movement)

Use Your Illusion, Too: JS Bach - Prelude and Fugue XXIV in B minor, BWV 893

JS Bach - Prelude and Fugue in B minor No.24, BWV 893

Liszt - Mephisto Waltz No. 1

Why Metronomes Don't Work - The Phenomenon of Time Dilation in Music: A New Theory of Music

The Slow Mordent - CPE Bach, On The Mordent (pt.4.3)

Mozart - Sonata in A minor, K.310 (3rd movement)

If That's Not Enough To Get People Talking... - CPE Bach, On The Mordent (pt.4.2)

Articulation - CPE Bach, On The Mordent (pt.4.1)

Mozart - Sonata in Bb Major, K.570 (1st movement)

Mozart - Sonata in A minor, K.310 (2nd movement)

A Little on AC Fingering and Tension - CPE Bach, On The Mordent (pt.3.3)

The Most Concentrated Form of Music & Music Making - CPE Bach, On The Mordent (pt.3.2)

Schubert - Impromptu No.3, Op.142

Accurate And Sufficient Information - CPE Bach, On The Mordent (pt.3.1)

For Shaping The Subject Of A Fugue - CPE Bach, On The Mordent (pt.2.4)

Beethoven - Sonata No. 28 in A major, Op.101 (3rd & 4th movements)

Bach Talks About Himself - CPE Bach, On The Mordent (pt.2.3)

I Talk About Me - CPE Bach, On The Mordent (pt.2.2)

Notes That Are To Be Held Out - CPE Bach, On The Mordent (pt.2.1)

Beethoven's Broken Octaves - Debunking John O'Conor