Alan Coghlan
The Anschlag In Beethoven's Tempest Sonata - CPE Bach, On The Anschlag (pt.1.3)
Schubert - Sonata in Bb Major, D.960 (1st movement)
Base Details - CPE Bach, On The Anschlag (pt.1.2)
What Is A Principal Note? - CPE Bach, On The Anschlag (pt.1.1)
An Introduction to the Anschlag - CPE Bach, Essay on the True Way to Play the Piano
Beethoven - Sonata No.7 in D major, Op.10 no.3 (4th movement)
Beethoven - Sonata No.7 in D major, Op.10 no.3 (3rd movement)
Beethoven - Sonata No.7 in D major, Op.10 no.3 (2nd movement)
Schubert Karaoke: Erlkönig Op.1
Beethoven - Sonata No.7 in D major, Op.10 no.3 (1st movement)
Use Your Illusion, Too: JS Bach - Prelude and Fugue XXIV in B minor, BWV 893
JS Bach - Prelude and Fugue in B minor No.24, BWV 893
Liszt - Mephisto Waltz No. 1
Why Metronomes Don't Work - The Phenomenon of Time Dilation in Music: A New Theory of Music
The Slow Mordent - CPE Bach, On The Mordent (pt.4.3)
Mozart - Sonata in A minor, K.310 (3rd movement)
If That's Not Enough To Get People Talking... - CPE Bach, On The Mordent (pt.4.2)
Articulation - CPE Bach, On The Mordent (pt.4.1)
Mozart - Sonata in Bb Major, K.570 (1st movement)
Mozart - Sonata in A minor, K.310 (2nd movement)
A Little on AC Fingering and Tension - CPE Bach, On The Mordent (pt.3.3)
The Most Concentrated Form of Music & Music Making - CPE Bach, On The Mordent (pt.3.2)
Schubert - Impromptu No.3, Op.142
Accurate And Sufficient Information - CPE Bach, On The Mordent (pt.3.1)
For Shaping The Subject Of A Fugue - CPE Bach, On The Mordent (pt.2.4)
Beethoven - Sonata No. 28 in A major, Op.101 (3rd & 4th movements)
Bach Talks About Himself - CPE Bach, On The Mordent (pt.2.3)
I Talk About Me - CPE Bach, On The Mordent (pt.2.2)
Notes That Are To Be Held Out - CPE Bach, On The Mordent (pt.2.1)
Beethoven's Broken Octaves - Debunking John O'Conor