Classical Guitar
Classical Guitar keeps you informed on the music, musicians, and instruments that matter.
We cover the full spectrum of people, events, products, ideas, and trends that matter to today’s classical guitar community, while also exploring the rich traditions and history of classical guitar. Classical Guitar was founded in 1982 in England by Maurice Summerfield, author of the standard biographical reference, The Classical Guitar: Its Evolution, Players and Personalities Since 1800. The magazine joined joined Acoustic Guitar, DRUM!, Strings, and Ukulele magazines at California based Stringletter in 2014.
With your support, engagement, and encouragement, Classical Guitar continues to grow and evolve, serving the needs and interests of the community.
Method: Albeniz's Expressive ‘Leyenda’ (or ‘Asturias’ or ‘Prelude') is a Test for Guitarists
Classical Guitar at Winter NAMM 2019: Hill Guitar
New Gear: Dake Traphagen's EIRCDT Maria is Deeply Inspiring to Play
Gear Review: Ultra-Affordable Alvarez Cádiz Flamenco and Classical Guitars
Classical Guitar Lesson: Leo Brouwer’s Challenging and Modern ‘Danza Caracteristica’
Gear Review: La Cañada Model 115 is a Fine New Guitar Based on an Antonio de Torres Classic
Yuri Liberzon Plays Bach and Brouwer
Piotr Pakhomkin Plays Scarlatti, Villa-Lobos, and Paganini
Review: Greg Brandt’s Standard Concert Model Is a World-Class Guitar
Classical Guitar Sessions: DuoSF (Christopher Mallett and Robert Miller)
Review: The Alvarez AC65HCE Blends Elements of Classical and Steel-String Guitars
Matthew Fish Plays Music by Johannes Möller
Review: Takamine’s Well-Built H8SS Boasts a Balanced, Transparent Sound
Review: Yamaha’s SLG200N Silent Guitar is a Surprisingly Natural-Sounding, Nylon-String Guitar
Marc Teicholz Plays ‘Seis Brevidades’ by Sergio Assad
Classical Guitar Sessions: Jason Vieaux
Flamenco/Metal Guitarist Ben Woods: Classical Guitar Session
Gear Review: Ortega’s RCE159MN Nylon Guitar Sounds Good Plugged or Unplugged