Asian Art Museum
The Asian Art Museum is one of the largest museums in the Western world devoted exclusively to Asian art and culture. Home to more than 18,000 works of art from over 40 Asian countries, we strive to be a catalyst for discovery, dialogue, and inspiration. With Asia as our lens and art as our cornerstone, we spark connections across cultures and through time, igniting curiosity, conversation, and creativity.
Inside the Mind of an Artist Capturing Everyday Conflict
Resonance of Culture: The Historic Japanese Bell-Ringing Ceremony at the Asian Art Museum
Welcome remarks and introduction of keynote speaker by Jay Xu
Zhao Feng: Phoenix-themed Motifs on Chu Silk; Fan Jeremy Zhang: Defining Characteristics of Chu Art
Haicheng Wang: Beautiful Writing in the First Civilizations; Guolong Lai: The Tomb Guardian Figure
Colin Mackenzie: The Chu-Zeng Jade Style; Zeng Pan: Origin of Ancient Chinese Chromatic Pitch Series
Fang Qin: Ritual Vessel Systems in Zeng and Chu; Zhang Changping: Bronze Artistry of Zeng and Chu
Keynote speaker Robert Bagley: The tomb of Marquis Yi of Zeng
Buddha Meets Ambedkar Meets Kabir — Pop-Up Raga Session
Duto Hardono AAMSF | Variation & Improvisation for ‘In Harmonia Progressio’
"Into View: Bernice Bing"
"Into View: New Voices, New Stories" Opening Celebration Artist Talk
Into View: New Voices, New Stories
Murakami: Monsterized — FINAL WEEKS
Into View: Carlos Villa and Bernice Bing
Murakami Collectible Gift Event — 12/11 & 12/14
Heart of Zen — Now on View
The Chinese Painter Muqi in Japanese Culture
Murakami: Monsterized — Not to Be Missed
Yokai and Monsters in Japanese Art: A Conversation between Michael Dylan Foster and Laura Allen
East West Bank Art Terrace
Murakami: Monsterized — NOW OPEN
An interview with Takashi Murakami (2020-2023)
AntingAnting in Warrior Arts
Pinaree Sanpitak: Breast Stupa Topiary
Ala Ebtekar: Luminous Ground
Beyond Bollywood Dance Series with Chaksam-pa and Aerodance
Hell: Arts of Asian Underworlds — Now on View
Gateway Tree to the Underworld (audio tour stop 202)