Raag Pahadi Tutorial | Dadra in Adhya | Notation | Moumita Mitra
Автор: Moumita Mitra
Загружено: 2025-03-24
Просмотров: 12963
Raag Pahadi Tutorial.
Chalan followed by a Dadra in Adhya Taal with notation.
Pahadi could be notated as
S R M P D S'
S' n D P M G R G S
As per Ustad Ali Akbar Khan's notation
As per this notation, the ThaaT is Kafi with Ma Sa as Vadi Samvadi
This aroh avroh is similar to Jhinjhoti. however the centering around Ma gives a complete different expression.
However the traditional form of writing notation has been
S R G P D S' like Bhupali
S' N D P M G R G R S
In this case, the Ma is taken as Sa
As per this notation, the ThaaT is Bilawal with Sa Pa as Vadi Samvadi
However the overall tune remains same, jut the change of Sa is used in notation form.
The mapping for Sa change is as follows:
S r R g G M m P d D n N S' r' R' g' G' M' m' P'
The Jhinjhoti like notation
S R M P D S' R' M' P'
S R G M P D n S' R' G' M'
The Bhupali like notation
S R G P D S'
S R G M P D N S'
Adhya Dadra
Saajanwaa Kub Aaoge,
Mai Kit Guzaaru Din Saaraa
Din Nahi Chain
Raat Nahi Nindiyaa
Mai Bhai Baawaraa
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