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Painting a Film: An Analysis of Barry Lyndon

Автор: ChrisClarkeCinema

Загружено: 2017-05-31

Просмотров: 5100

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Released in 1974 film, Barry Lyndon, recounts the story of an Irish man in Eighteenth Century Europe, named Redmond Barry, who through duels won and lost, through battles fought under the British and Prussian army, through friends gained, and enemies made, came to acquire the name and title of Barry Lyndon.
Barry Lyndon's directing and cinematography are the two vital most aspects that facilitate the precise strokes of a brush handled by Stanley Kubrick and John Alcott, that blend Barry Lyndon’s over-arcing painting with depth, clarity, and beauty. Kubrick’s meticulous approach allows Barry Lyndon to take influence and share a sentiment with major art movements of Eighteenth Century Europe, particularly the cinematography tends to pay homage and take visual notes from the Rococo, Neoclassical, and Romantic periods. Kubrick and Alcott worked together to craft Barry Lyndon’s avant-garde cinematography through key technical decisions and stylistic camerawork employed to benefit Barry Lyndon’s narrative.

Painting a Film: An Analysis of Barry Lyndon

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