Marcelo - Estilo Criollo – uan Alais

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[Bar 1-8] A faster initial motif, repeated several times, as is customary in the style.
[Bar 2] Finger 3 (string 6) slides one fret and then lowers to the note F#, making the movement less complicated.
[Bar 5] Instead of jumping with finger 3 from the 6th to the 4th string,
it is preferable to use finger 4 free.
[Bar 9] The slower Canto always follows.
The arpeggio tallow [ , in reality, indicates the point where the 6/6 c3 barre begins.
[Bar 12] The slide 4--›5 is added to the slide between different fingers
(2,4).
[Bar 14] Expressive power of repeated notes.
[Bar 15] Here too, you can use a slide between strings 4 and 2,
where finger 1 (2nd fret, note E) slides one fret, transforming into a 6/6 c3 barre.
[Bar 28-29] Two excellent bars, with finger 3, fixed, as a guide.
Start with an Adim chord.
Then finger 2 jumps from the 2nd to the 5th string and then to the 6th (with a mini barre), pivoting finger 2, ending on the 4th string
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