「漫、蔓、慢」主題展覽影片 (台語版)

「漫、蔓、慢」主題展覽影片除製作華語發音中英文字幕版本外，另錄製台語發音台語字幕版，採跨領域合作，邀請金曲歌王謝銘祐先生擔任台語旁白，將展覽的理念以道地典雅的台 語娓娓道出，並配上精準的台語字幕，吸引大眾學習工藝台語並使用於日常生活中。

展覽介紹(台語)
2025年，國立臺灣工藝研究發展中心行向「工藝70+1」，推動工藝以「漫活SLOHAS_是樂活的代誌」做核心的倡議軸線、表達「工藝是漫波快樂•生活事」，引入「漫活SLOHAS」融合慢活（SLOW）參樂活（LOHAS）的精神，共工藝成做是對應未來社會的關鍵議題恰文化實踐的路徑，這毋但是一款生活態度，更加是一場對感官經驗出發、引發社會行動、最後形成文化共鳴的「心工藝運動」。

展覽以「漫、蔓、慢」三部曲做結構主軸，以「漫活SLOHAS」的簡單（Simplicity）、生活型態（Lifestyle）、原創（Originality ）、健康（Health）、美學 （Aesthetics）以及永續（Sustainability）當做核心價值，對「漫」的感官啟動、「蔓」的實踐展現、「慢」的共創坐清，來展現工藝是按怎對個人的感知行入群體的共創，進一步轉來到生活節奏的深度反思。對應「理念一態度一風格」三個階段，嘛是一場關於工藝未來的行動樂章，起造一套完整的SLOHAS工藝哲學。

本展除呈現靜態的物件以外•更加共展覽成做行動平台，整合「策展x倡議x實踐」三大推動方向，刺激觀眾的五感體驗，引發思考參行動，描繪臺灣當代工藝佇文化傳承、永續實踐佮社會參與當中的整體面貌•展現伊對傳統技藝行向生活實踐以及文化運動的新風格轉向，強調工藝「漫活SLOHAS」的生活態度，是S到S之間永續無限∞的善藝循環•

Exhibition introduction
In 2025, as the National Taiwan Craft Research and Development Institute enters its 71st year, this exhibition embraces “SLOHAS Living” as its central vision—highlighting craft as a joyful rhythm that flows gently, woven into the art of living.
Introducing the attitude of SLOW living and LOHAS (Lifestyles of Health and Sustainability), it frames craft as a medium for responding to future social challenges and cultural practice. More than a lifestyle, it is a heartfelt movement—one that begins with sensory experience, inspires social action, and ultimately leads to cultural resonance.
Structured through the trilogy of Flow, Spread, and Slow, the exhibition echoes six core values: Simplicity, Lifestyle, Originality, Health, Aesthetics, and Sustainability. From the sensory awakening of Flow, through the expanding practice of Spread, to the co-created contemplation of Slow, the exhibition spreads out how craft moves from individual perception to collective creation, then ultimately returning to a deeper reflection on daily rhythms.
This journey mirrors a three-stage progression—from ideals, to attitudes, to styles—unfolding as an active composition for the future of craft and forming a holistic philosophy of SLOHAS in Craft.
No longer just a presentation of static objects, this exhibition becomes a dynamic platform—integrating curation, advocacy, and practice, as three main leading directions. It stimulates all five senses, fosters reflection and participation, and outlines a portrait of contemporary Taiwanese craft in transformation. —from traditional craftsmanship to everyday practice and cultural movement. It affirms SLOHAS Living lifestyle as a kind and well cycle of sustainability and kindness—from S to S, infinite and alive.