Variations on a Theme by Paganini // BRAHMS

Heft I
00:02 Thema. Non troppo Presto (A minor)
00:33 Variation 1 (A minor)
01:03 Variation 2 (A minor)
01:35 Variation 3 (A minor)
02:09 Variation 4 (A minor)
03:16 Variation 5 (A minor)
04:10 Variation 6 (A minor)
04:38 Variation 7 (A minor)
05:04 Variation 8 (A minor)
05:31 Variation 9 (A minor)
06:40 Variation 10 (A minor)
08:28 Variation 11. Andante (A major)
09:57 Variation 12. (A major)
10:56 Variation 13. (A minor)
11:28 Variation 14. Allegro (A minor)
Heft II
13:31 Thema. Non troppo Presto (A minor)
14:01 Variation 1 (A minor)
14:51 Variation 2. Poco Animato (A minor)
15:22 Variation 3 (A minor)
15:52 Variation 4. Poco Allegretto (A major)
16:37 Variation 5 (A major)
17:04 Variation 6. Poco più vivace (A minor)
17:30 Variation 7 (A minor)
17:56 Variation 8. Allegro (A minor)
18:33 Variation 9 (A minor)
19:21 Variation 10. Veloce, energico (A minor)
20:21 Variation 11. Vivace (A minor)
21:02 Variation 12. Un poco Andante (F major)
22:13 Variation 13. Un poco più Andante (A minor)
23:20 Variation 14. Presto, ma non troppo (A minor)

Variations on a Theme of Paganini, Op. 35, is a work for piano composed in 1863 by Johannes Brahms, based on the Caprice No. 24 in A minor by Niccolò Paganini.

Brahms intended the work to be more than simply a set of theme and variations; each variation also has the characteristic of a study. He published it as Studies for Pianoforte: Variations on a Theme of Paganini. It is uncharacteristically showy for Brahms, even Lisztian. Indeed, the work was composed for the piano virtuoso Carl Tausig.

It is well known for its emotional depth and technical challenges. David Dubal describes it as "a legend in the piano literature," and "fiendish," "one of the most subtly difficult works in the literature." Clara Schumann called it Hexenvariationen (Witch's Variations) because of its difficulty. Dubal quotes critic James Huneker:

«Brahms and Paganini! Was ever so strange a couple in harness? Caliban and Ariel, Jove and Puck. The stolid German, the vibratile Italian! Yet fantasy wins, even if brewed in a homely Teutonic kettle ... These diabolical variations, the last word in the technical literature of the piano, are also vast spiritual problems. To play them requires fingers of steel, a heart of burning lava and the courage of a lion.»

The work consists of two books. Each book opens with the theme, Paganini's Caprice No. 24 in A minor, followed by fourteen variations. The final variation in each section is virtuosic and climactic.
(Source: Wikipedia)

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Work Title: Variations on a Theme by Paganini (Op.35)
Composer: Johannes Brahms
Year of Composition: 1862–1863
First Publication: 1866 Winterthur & Leipzig: J. Rieter-Biedermann
Piece Style: Romantic

Midi: Sequences by © Robert Friedman
Artwork: © PianoAdventure
Visualization: Synthesia