Mixing Vocals on an Analog Console | Jeff Sandstrom

Vocal processing in a mix should focus on achieving clarity, presence, and cohesion. High pass filters, EQ adjustments, effects, and compression can be used to enhance both female and male vocals. This is done to ensure a balanced and compelling sound.

Initial Vocal Setup
Isolating the lead vocal allows you to assess the raw input before applying any processing. A high pass filter can be used to remove low-end mud and room noise.
HPF: Set around 160-170Hz to eliminate that low-end muddiness.
EQ: Cut around 200Hz and 400Hz, boost around 3kHz and the top end for clarity and silkiness.

Adding Effects
Reverb and delay are used to place the vocal in a spacious, atmospheric setting. Effects are used to add body and life to the vocal, creating a cavernous and mysterious sound which is appropriate for the song Jeff is mixing.

Processing the Male Vocal
Similar to the lead vocal, techniques are used to ensure consistency and clarity. A high pass filter can be used in the same way to emphasize clarity and remove unwanted low-end. Effects like reverb and delay match the lead vocal’s space.

Compression
External compressors are used to control dynamics and add ‘evenness’ to the vocals. Compression adds softness and evens out the vocal.
Light Compression: 4:1 ratio to tame the dynamic range and ensure consistency.

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