我花两个月时间重看诺兰电影，终于搞懂了他的3个秘密武器【银屏系漫游指南】丨机核

《信条》上映前两个月，我们又死磕了一把诺兰。关于诺兰为何如此痴迷于“时间”，关于他玩弄时间、理解时间、制造时空错觉的方式，都在这个视频里了！

参考资料
Douglas R. Hofstadter, Gödel, Escher, Bach: an Eternal Golden Braid
Yale University, Listening to Music with Craig Wright
MIT, A Mental Space Odyssey of GEB
Tony Phillips, Bach and the musical Möbius strip
F. H. Bool, M.C. Escher: His Life and Complete Graphic Work
Variety, Christopher Nolan Says His Filmmaking Process a‘Combination of Intuition and Geometry’
Vox, The sound illusion that makes Dunkirk so intense
Studiobinder, What is The Shepard Tone
Jan Stripek, Sound cues in Inception
Entertain The Elk, What Makes Interstellar's Music So Terrifying
Film4 Interview, Christopher Nolan on Dunkirk
Melody Lau, Hans Zimmer explains the audio trickery that made Dunkirk audiences nauseous
Aaron Stewart-Ahn, On Interstellar, love, time and the limitless prison of our Cosmos
Master's Thesis, Time, Memory & Identity: The Films of Christopher Nolan