Dufay: "Ce jour de l'an" - All three voices, Play along and Minus 1 (mensural notation, manuscript)

This video first plays the entire piece "Ce jour de l'an" by Guillaume Dufay (1397-1474), while a short overview of mensural notation is given, including the dots of division. Then, for each voice are offered two versions: one Play Along (all voices are sounding, including the part you're reading) and one Minus One (the voice of the part you're reading has been left out, so you're on your own)! You can go directly to the chapter mark of your choice! This time you will have to figure out the most obvious musica ficta by listening (accidentals).

Chapter marks:
00:00:00 - Ce Jour de l'an a 3
00:01:29 - Cantus Play Along
00:03:01 - Cantus Minus One
00:04:34 - Tenor Play Along
00:06:06 - Tenor Minus One
00:07:38 - Contratenor Play Along
00:09:10 - Contratenor Minus One

Range of each voice:
Cantus - from a to b' flat
Tenor - from d to f'
Contratenor - from d to f'

Source:
Oxford, Bodleian Library MS. Canon. Misc. 213: https://digital.bodleian.ox.ac.uk/obj...

The piece can be played along on recorder, viola da gamba, traverso, cornetto, viola da braccio (violin, viola, cello), sackbut, dulcian, and one can also sing; and really anyone interested in this repertoire, join us on your instrument! Be it oboe, flute, clarinet, bassoon, harpsichord, piano, harp, psalterium, marimba... It is always good to learn where our music came from and how notation developed, in a more practical way!

This was the instrumentation I used:
1. g-alto Ganassi recorder
2. Tenor Ganassi recorder
3. Tenor Ganassi recorder
In 16th-century renaissance consorts, the instruments were a fifth apart.

The text of this chanson is:
"Ce jour de l'an voudray joye mener,
Chanter, danser, et mener chiere lie,
Pour maintenir la coutume jolye
Que tous amants sont tenus de garder. (...)"

Translation:
""This (new?) year's day I would like to have joy,
Sing, dance, and live dumb,
To maintain the jolly custom
That all lovers are bound to keep."


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