Why Gothic Organs Were Built To Vibrate Stone - The Neurological Weapon Disguised As Music

Chartres Cathedral spent the equivalent of three million dollars in modern currency constructing an organ in seventeen twenty-three that required eleven years to build with four thousand pipes including thirty-two-foot bass pipes producing sixteen hertz infrasound, yet the instrument only played six hours per week during church services representing three percent utilization rate—this economic model makes no sense unless music wasn't the primary function and the massive bass pipes existed to vibrate the granite stone structure containing twenty to forty percent quartz crystal which generates electrical charge through piezoelectric effect when subjected to sustained low-frequency acoustic pressure. In eighteen fifty-three, international conference shifted tuning standard from four hundred thirty-two hertz to four hundred forty hertz breaking the mathematical alignment with Earth's Schumann Resonance and water molecule frequencies, then between nineteen twenty and nineteen seventy major European cathedrals systematically replaced medieval organs removing the thirty-two-foot infrasound pipes that produced neurologically active frequencies affecting human eyeball resonance at sixteen hertz, fear response at eighteen hertz, and consciousness alteration at seven point eight three hertz.