TT Artisan 17mm Tilt-Shift Lens Review - Amazing Value
Автор: Ben Harvey Photography
Загружено: 2025-10-12
Просмотров: 16723
TT Artisan have just released a new specialist lens for Architectural Photography, the 17mm Tilt-Shift Lens in native mirrorless mounts. This video is a showcase of the lens, showing its strengths and weaknesses, who it is for and what it is best suited for.
If you would like to purchase this lens, I have provided a link below to TT Artisan's Website.
If you would like to see more of my work then check out my website:
Www.benharveyphotography.co.uk
The gear I use to make my content (although this is always changing!)
Canon EOS R8 + 24mm F1.8 - This is my main YouTube on location camera, since it is small yet powerful.
Sony A7iv + 20mm F1.8 & 20-70 F4 - This is my most capable video camera, with excellent video quality and stabilisation. If I shoot anamorphic videos this is the camera that I would use.
Sony A7iii - this is my primary stills camera that works with native Sony lenses and all my Canon EF lenses on the Sigma MC-11 adaptor
Canon EOS R8 + 16mm F2.8 + Zhuyin Crane M3 - I use this on location where I have a lot of travelling to do
Canon EOS R + RF35mm & Sigma 50mm - This is my office camera setup, with a Rode Video Pro+ mic and studio lighting.
DJI Pocket 3 - an incredibly small but powerful stabilised camera that fits in your pocket. I use this camera when I cover a lot of ground on location.
Canon 5D3 - I use this camera when I use my EF glass and there is no benefit in adapting
DJI Mavic Pro 2 - My first drone, and I can’t see me replacing it. It’s amazing for both stills and video
DJI Osmo Action 5 Pro - although this is an action camera, it is very capable as a A or B cam, for talking head shots and video on the go. This camera is compatible with the DJI wireless microphones and matches the colour profile of the DJI Pocket 3. It is also water proof, handy for adverse weather conditions!
Insta360 - X3 & One inch edition - for 360 degree video and BTS content
Microphones - DJI Wireless Mic, Rode Wireless Go, Rode Lav Go, Rode Video Pro+, Rode Video Micro
Photo Tripods - Sirui ST-124 with Sirui ballhead,
Video Tripods - Benro Tortoise 24CLV + spikes, iFootage Gazelle, Neewer LT32
Monopod - Sirui P-325FL
Camera bags - Manfrotto, Lowepro, Peak Design, K&F and Crumpler
Photo Filters - Nisi V7 + Nisi filters
Video filters - Freewell magnetic NDs, H&Y Revoring, Hoya Variable ND
All of my cameras have Arca Swiss plates to connect with the Peak Design Capture Clip and compatible tripods.
Video editing software - Final Cut Pro
Photo editing - Adobe Lightroom, photoshop, Artisan Pro X, Silver Efex, Color Efex
Music: Epidemic Sound
Music: https://www.davidcuttermusic.com / @dcuttermusic
Video content:
00:00 - Opener
00:034 - 3rd party vs native
01:07 - Lens specs
02:17 - The competition?
03:05 - On location
03:51 - Brighton Pavilion
05:06 - Optical performance
07:38 - Shifting the lens
09:59 - Why shoot with 17mm?
11:30 - Drama
12:37 - Example images
13:59 - Native lenses
14:54 - Final Thoughts
16:17 - Why it will sell
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