Chaeyoung Park: 2025 Cliburn MOZART Piano Concerto No. 20 in D Minor, K. 466

Seventeenth Van Cliburn International Piano Competition
Semifinal Round Mozart Concerto
May 29, 2025
Bass Performance Hall

Chaeyoung Park
South Korea
Age 27

Fort Worth Symphony Orchestra
Carlos Miguel Prieto, conductor

MOZART Piano Concerto No. 20 in D Minor, K. 466

About Chaeyoung
Chaeyoung Park began studying piano at age 7. When she was 10, her teacher in Korea encouraged her parents to consider music education in the United States. Within a few months, her family relocated from Seoul to Lawrence, Kansas. “I could not speak English, nor did I understand American culture, so the only part of myself that I truly felt confident in was my ability to play music. Music became the pathway that helped me communicate with the world around me.” She studied in Kansas with Jack Winerock before moving to New York to attend The Juilliard School, where she earned her bachelor’s, master’s, and artist diploma degrees under Robert McDonald. 

She was awarded first prize at the 2022 Young Concert Artists Susan Wadsworth International Auditions and was named the Mortimer Levitt Piano Chair at YCA. Winner of the 2019 Hilton Head International Piano Competition and Finalist at the 2023 Arthur Rubinstein International Master Piano Competition, she has since performed at venues including Kennedy Center, Carnegie Hall, and Morgan Library, and at Gilmore Rising Stars, Bravo! Vail, and Tongyeong International Music Festivals. Her concerto appearances include the Israel Philharmonic, Charlotte Symphony, and Maryland Symphony, and upcoming highlights include debuts with the Celebrity Series of Boston, Shriver Hall in Baltimore, and Zankel Hall at Carnegie Hall, and concerto appearances with the Kansas City, Knoxville, and Pensacola Symphony Orchestras. 

Chaeyoung is passionate about creating community through music. She regularly performs with Groupmuse, a musician-led cooperative that presents music in intimate, informal settings across the country. Though she has lived in the United States for over 17 years, “music remains a core way that I form connections with people. It is a universal language which has made me feel at home in Korea, Kansas, and New York City, despite language and cultural barriers.”