Latin American Music on the Piano & Bandoneon | Claudio Constantini · MarchVivo

The bandoneon, originally designed as a portable organ, found its purpose when European sailors and immigrants brought it to the Río de la Plata. It soon became the quintessential symbol of Rioplatense tango and its use spread throughout the border territory between Argentina, Brazil and Paraguay.

Claudio Constantini (1983)
00:00 Summertime Variations, on a theme by George Gershwin

Heitor Villa-Lobos (1887-1959)
15:19 Chôro nº5 “Alma brasileira”, W207

Gabri Mesquita (1982)
19:59 Frevo

Alberto Ginastera (1916-1983)
Three Argentinian Dances, Op. 2
23:05 Danza del viejo boyero
24:28 Danza de la moza donosa
28:20 Danza del gaucho matrero

Astor Piazzolla (1921-1992)
31:39 Otoño porteño [Autumn] (The Four Seasons of Buenos Aires)

Rosita Melo (1897-1981)
36:42 Desde el alma

Aníbal Troilo (1914-1975)
39:47 Che, bandoneón

Polo Giménez (1904-1969)
44:29 Campo Nomas

Carlos Gardel (1890-1935)
48:25 Volver


Claudio Constantini, piano and bandoneon

Concert (excerpt) “Keyboards without borders”, from the series “Popular America”
https://www.march.es/es/madrid/concie...

14 October 2023
Fundación Juan March, Madrid

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Concerts at Fundación Juan March: https://www.march.es/en/madrid/concerts

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