4 Ways Jimmy Cobb Turns Double Strokes into Swinging Jazz Solos
Автор: Jameson Scriver
Загружено: 2025-11-06
Просмотров: 2041
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If your double strokes sound clean but not like jazz, you’re probably missing the feel. Jimmy Cobb used doubles in four distinct ways—each one full of swing, slur, and phrasing you won’t find in any rudiment book.
In this lesson, I break down how he turns basic stickings into musical gestures that flow naturally in solos and comping. You’ll learn how to stretch, drag, and bend doubles so they feel alive—and how to practice them so they actually show up on the bandstand.
What you’ll learn:
How Jimmy Cobb uses doubles as embellishments to create stretch and swagger
The “fast drag” approach that gives phrases momentum
How to shape five-stroke rolls like horn bends
The role of paradiddles and pugadas in keeping accents on your strong hand
Chapters
00:00 Why your doubles don’t sound like jazz
00:23 Embellished doubles
02:13 Fast drags
03:12 Five-stroke rolls
05:24 Paradiddles and pugadas
07:23 Applying all four types
09:19 Trading fours exercise
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