Nirupoma Rahman || Nazrul Sangeet || Bengal Jukebox

#bengaljukebox
নজরুলের বৈঠকি গান
শিল্পী নিরুপমা রহমান
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Tahari Parash Chahi
Songs of Kazi Nazrul Islam rendered by Nirupoma Rahman
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🔹Track List 🔹

1. Swapone eso nirojone 00:00
2. Phiria jadi se ashe 07:26
3. Poran priyo keno ele 15:50
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যন্ত্রশিল্পী:

জয়দেব নন্দী (তবলা)
গৌতম সোম (হারমোনিয়াম)
রাহুল চট্টোপাধ্যায় (সেতার)
প্রত্যুষ বন্দ্যোপাধ্যায় (সরোদ)
দেবাশীষ হালদার (এসরাজ/ সারেঙ্গি)
বুবাই নন্দী (বাঁশি)
সঞ্জীবন আচার্য (মন্দিরা ও অন্যান্য)
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সাউন্ড রেকর্ডিস্ট - সঞ্জয় ঘোষ
সঙ্গীত আয়োজন - রাহুল চট্টোপাধ্যায়
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Dr Nirupoma Rahman is an academic working in the Faculty of Arts in University of Melbourne. She is also a passionate vocalist and musician who practices the principles of the Agra Gharana’s music and regularly performs Nazrul Songs and other semiclassical music. Her music is inspired by her passion for literature and culture; influenced by the gurus she has enjoyed the tutelage of from a very young age. This is further stimulated by her academic work around language, culture and representation of identity.

Nirupoma connects her love for Indian classical music with her love for Bangla literature through Kazi Nazrul Islam’s musical creations. As a disciple of Vidushi Dipali Nag (who recorded a number of Nazrul Songs under the direct guidance of the poet himself), Dr Rahman developed her passion and craft of both Indian classical and semiclassical music in the Agra Gharana, as well asacquired in-depth knowledge about Nazrul’s musical philosophy and mastered singing Nazrul songs.
Nirupoma started learning Indian (Hindustani) classical music at the age of three, even before going to school, from Smt. Swapna Roy and then from Sri Krishnakantha Acharjya. At the age of six, she was inducted into the Agra Gharana by Pandit Barin Mazumder (a disciple of Ustad Faiyaz Khan). Later she transferred to the tutelage of Vidushi Dipali Nag (also a disciple of Ustad Faiyaz Khan and the then Director of Sangeet Research Academy, India) and this further extended her approach towards music. Simultaneously , she spent many years learning Bengali music (Tagore Songs in particular) with Tagore musicologist Wahidul Haque.

Nirupoma personally defines her music as a form of prayer - for her, music is the way of expressing her sense of self. Her music helps her to represent her passion and emotion, while connecting her physical and spiritual worlds. She often says that the uniqueness of her music stems from her pride as Bengali – one can see clear influences in her music of the beauty of Bengali history, culture and literature, intertwined with the immense musicality of Indian classical music. She credits this uniqueness to the powerful influence that Dipali Nag and Wahidul Haque had over her music.
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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival. Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.
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