Behind the scenes of Robbie Williams’ stadium tour: lighting, audio and video in perfect sync.

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What looks effortless on stage is the result of an extraordinary amount of technical precision and teamwork.
Lighting Director Glenn Johnson works alongside Lighting Designer Paul Normandale and Creative Director Kim Gavin to deliver a visually stunning, fully timecoded show featuring more than 620 fixtures from ayrton, Martin, and Chauvet — all running through a 10-gigabit Luminex network that connects the A, B and C stages.

Colorist Richard Turner is responsible for real-time grading of all camera feeds — ensuring Robbie’s skin tones remain consistent under constantly changing daylight conditions. The camera setup includes Panasonic system cameras, Blackmagic G2s and a Sony Alpha on a gimbal, all connected via a Stage Racer fiber infrastructure.

At front of house, Joe Harling mixes the show on a DiGiCo Quantum 338, combining Optocore, Lake processing and Rupert Neve DIs for clarity and power.
Monitor engineer Daniel Kent manages over 60 IEM packs on a fully digital DiGiCo setup, with Wisycom and Shure wireless systems and Cedar noise processing.

Every department — lighting, audio, and video — is tuned to the same level of precision.
The result: a stadium-scale production where art meets engineering, and every second counts.

🎥 In this video: A behind-the-scenes tour through the technical setup of Robbie Williams’ live production — lighting, color grading, network design, sound, and monitoring.

#RobbieWilliams #TourProduction #LightingDesign #ProAudio #EventTechnology #LiveSound #DiGiCo #ayrton #Luminex #mothergrid
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