The "Nacqui all'affanno" Contest - Anne Sofie von Otter
Автор: LindoroRossini
Загружено: 2007-03-31
Просмотров: 15276
"How to end an opera?" That was surely one of the quetions composers asked themselves in the good old days (circa 1800s). The possibilities were endless, but the most "popular" opera ending certainly was an aria for the heroine: Anna Bolena, Amina, Elvira, Zoraide, Elena... This is only a short list of opera heroines, who get the final word in their respective operas. Rossini's La Cenerentola also ends with a final aria for the title heroine. Angelina's "Nacqui all'affanno" is a wonderful example of the rondo aria: it starts with a gentle cantible, where there is much room for expression, and ends with a brilliant cabaletta, that was used by Rossini two times before "La Cenerentola". I do hope that you enjoy this new voting (the system is the same: the marks range from 1 to 5; there are two categories: singing/characterization; so your mark (+ comment :-) ) should look like this: (*/*)). First up is the delicate Anne Sofie von Otter.
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