Por qué das MAL las palmas | El contratiempo de la música Swing

¿Cómo dar palmas en el Swing y la mayoría de la música comercial? La respuesta está en el contratiempo. Explicamos la manera correcta de dar palmas y por qué debemos hacerlo así al acompañar canciones Swing, Rock, Pop y otros estilos con linaje africano.

0:00 - Introducción
0:40 - Las palmas son un instrumento musical
1:46 - Música europea VS música africana
3:05 - El contratiempo y el sincopado
4:53 - Por qué mucha gente da mal las palmas
5:52 - Forma correcta de dar palmas
8:05 - Ejercicio para dar palmas
8:41 - Conclusión

*Referencias
**Enlaces:
https://www.ncbi.nlm.nih.gov/pmc/arti...
   • Clap in time, you plonkers!  
   • Dawn Hampton in Herrang 1990s  
http://www.ethanhein.com/wp/2013/the-...
http://www.ethanhein.com/wp/2013/frie...
https://en.wikipedia.org/wiki/Prehist...
https://www.musical-u.com/learn/rhyth...
https://www.scientificamerican.com/ar...

**Libros:
Story of Jazz
The African Imagination in Music, Kofi Agawu
Concise guide to jazz
Black dance from 1619 from today
World story of the dance, curt sachs

**Más:
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Baur, S. (2012). Backbeat. The Grove dictionary of American music, 2nd edition.
Bispham, J. (2006). Rhythm in music: What is it? Who has it? And why? Music Perception, 24(2), 125–134.
Butterfield, M. (2011). Why do jazz musicians swing their eighth notes? Music Theory Spectrum, (33), No. 1, 3-26.
Butterfield, M. (2010). The power of anacrusis: Engendered feeling in groove-based musics. Music Theory Online 12(4).
Fitch, W. T., & Rosenfeld, A. J. (2007). Perception and production of syncopated rhythms. Music Perception, 25(1), 43–58.
Grahn, J. A., & Brett, M. (2007). Rhythm and beat perception in motor areas of the brain. Journal of Cognitive Neuroscience, 19(5), 893–906.
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Huron, D. and Ommen, A. (2006). An empirical study of syncopation in American popular music, 1890–1939. Music Theory Spectrum, (28)2, 211-231.
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Tamlyn, G. (1998). The big beat: Origins and development of snare backbeat and other accompanimental rhythms in rock ’n’ roll. PhD thesis, University of Liverpool.
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Toiviainen, P.; Luck, G., & Thompson, M. (2010). Embodied meter: Hierarchical eigenmodes in music-induced movement. Music Perception 28(1): 59-70.
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