NADYA TOLOKONNIKOVA "TALK"
Автор: Scott Sigman
Загружено: 2025-11-22
Просмотров: 17
NADYA TOLOKONNIKOVA "TALK" @wearepussyriot @PussyRiotEng @joeyorr6185 @chicagolawyerscommitteefor4308 @uchicagocivicengagement @mcachicago @mcachicago1 @mcachicagovideo
@Sony @SonyConnect @SonyProfessionalUSA @ContagiousCreativity @ForNoFckinReason
"A paradox of confinement and self-determination, POLICE STATE confronts the brutality of unrelenting control while insisting on the possibility of connection and liberatory release despite it." MCA-CHICAGO Exhibition/THEATER PERFORMANCE curation and publicity.
@CBSChicago @ABC7Chicago @nbconechicago @civildisobedientsfan9584 @CivilDissent @PoliceStateMedia @rambone5 @PoliceStateResistance @POLICESTATENEWJERSEY @ILpoliceaccountability
#Londonship
"Whatever speaker you are listening to this demo with, cannot fully capture and convey the dynamic and full sound of the venue and facility's professional sound system in 2025 using quality monitors / speakers / amps - well installed sound and contemporaneous acoustical engineering. Professional sound engineering for the classic facility, and rough acoustic treatments of the venue, basic lights within the Museum of Contemporary Art Chicago and The Blum Kovler Hall, as a venue, offered just a couple beam lights, as a visual field of steady ambiance that was reasonably well presented, however, a couple basic spotlights brightened the stage, viz., just a couple sets of beams from in front of and above the speakers were sufficient for the amateur videographer."
Copyright Disclaimer: This video file is an amateur composition, as observed using consumer electronics protected under Title 17 U.S.C. Section 107 of the Copyright Act 1976, where allowance is made for "fair use" for purposes such as criticism, comparative composition, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. The material is made available without profit to those who have expressed a prior interest in receiving this content and is expressly offered for the purposes of criticism, comment, news reporting, research, teaching, including but not limited to such disciplines as the scholarly and educational study of cinematic arts, music, biography, history. All rights are reserved to any third-party copyright owner of the material or portions thereof.
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