建盏鉴藏无遮大观019———建盏新老釉光鉴别（019—Identification of new and old glazes on Jianzhan）

建盏鉴藏无遮大观，一个忠于史实的知识型系列视频。以正本清源为使命，提出了许多全新认知和观念。

本期系统介绍了建盏釉面鉴赏知识。“釉老盏必老”，只要能准确判断釉是老的。那么，这个盏就必然是老盏。这是最省事、最有效的鉴定方法。而识别釉是否老，只需要掌握三个关键字“干、紧、精”就可以了。釉光鉴别技巧的掌握，不仅对于识别建盏新老有效，对识别中国古代其他窑口的古陶瓷新老同样有效。

以往各期还首次提出了以下新观点。
第一，首次提出，曜变斑过于炫耀，有“荧惑”之嫌。既不符合宋代极简美学风格，更不符合宋代宫廷浑厚内敛的文化气质。因此，绝对不可能被皇宫内府所认可。也绝不可能成为建盏文化的顶级代表。（3、4、5期）
第二，首次提出，“条达”是宋代极简美学的经典表征，其内涵在于宇宙万事万物都处在“有条理的生生不息”状态。建窑兔毫盏的“条达”毫纹，体现的正是这样一种最深刻的寓意和禅意。（2期）
第三，首次提出，建窑建盏按照宋徽宗的认知，其鉴赏要素重要性排列，其次序应该是是“釉、型、胎”，而不是中国其他古陶瓷的“型、釉、胎”。（8期）
第四，首次提出，“玉毫盏”才是建盏的顶级品类。接下来应该是异毫和兔毫。曜变斑、鹧鸪斑（油滴斑）都属于杂毫斑。（11,12,13期）
第五，首次提出建盏器型内壁的鉴赏要点。其依据是宋徽宗“底必差深而微宽”的陈述。而“豁达”，正是建盏器型内壁的鉴赏关键词。（16期）
第六，首次提出建盏胎骨的鉴赏要点。其依据是宋徽宗“盏惟热，则茶发立耐久”的陈述。推导出建盏胎骨鉴赏之“沉手”关键词，并明确“手头足，指头好”的鉴赏标准。（17期）
第七，首次提出恢复中华传统文化和宋代建盏文化，不仅可以终止现在建盏市场上的种种乱象。还可以将建窑建盏产业做强做大，让所有从业者都能从中获得巨大收益。（6期）
第八，首次提出建窑建盏的未来收藏市场，可以只用质量指标来衡量。而不再考虑什么新老、真假，不用考虑是大师的、名家的、还是普通工匠的。只要质量标准高，其收藏价值就大。（18期）

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"Jianzhan Appreciating Collecting Uncovered Grand View", a faithful to history and knowledge-based series of videos. With the mission of restoring the origin, it puts forward many new cognitions and concepts.

This issue of the system introduces the appreciation knowledge of Jianzhan glaze. "If the glaze is old, the cup must be old", as long as you can accurately judge the glaze is old. Then this cup must be an old cup. This is the easiest and most effective method of identification. And to identify whether the glaze is old, you only need to master three keywords "Dry, Tight,Lustre". The mastery of glaze light identification skills is not only effective for identifying the new and old of Jianzhan, but also effective for identifying the new and old of ancient pottery from other kilns in China.

In the past issues, the following new viewpoints were first proposed.

First, it was first proposed that Yohen spots are too dazzling and have the suspicion of "phosphorescence". It does not conform to the minimalist aesthetic style of the Song Dynasty, let alone the thick and introverted cultural temperament of the Song Dynasty court. Therefore, it is absolutely impossible to be recognized by the Imperial Palace, and it is absolutely impossible to become the top representative of Jianzhan culture. (Issues 3, 4, 5)

Second, it was first proposed that "Stip-Straight" is a classic representation of the minimalist aesthetics of the Song Dynasty. Its connotation is that all things in the universe are in a "organized and endless" state. The "Stip-Straight" fur pattern of Jian-kiln Hare's fur cup embodies such a profound implication and Zen meaning. (Issue 2)

Third, it was first proposed that according to the cognition of Emperor Huizong of Song Dynasty, the order of importance of appraisal elements of Jian-kiln Jianzhan should be "glaze, shape, clay", rather than the "shape, glaze, clay" of other ancient ceramics in China. (Issue 8)

Fourth, it was first proposed that "Jade fur cup" is the top category of Jianzhan. The next should be unusual fur and hare's fur. Yohen spots and partridge spots (oil spot spots) all belong to miscellaneous fur spots. (Issues 11, 12, 13)

Fifth, it was first proposed that the appreciation points of the inner wall of Jianzhan shape are based on the statement of Emperor Huizong of Song Dynasty that "the bottom must be slightly deep and slightly wide". And "open-minded", is the key word for the appreciation of the inner wall of Jianzhan shape. (Issue 16)

Sixth, it was first proposed the appreciation points of Jianzhan clay bone. Its basis is the statement of Emperor Huizong of Song Dynasty that "the bowl is hot, so the tea is long-lasting". The deduction of the key word "Heavy-hands" for Jianzhan clay bone appreciation, and clarified the appraisal standard of "sufficiently heavy in hand, good to the fingers". (Issue 17)

Seventh, it was first proposed that the restoration of traditional Chinese culture and Song Dynasty Jianzhan culture can not only stop the various chaos in the Jianzhan market, but also make the Jian-kiln Jianzhan industry strong and large, and all practitioners can gain huge benefits from it. (Issue 6)

Eighth, it was the first to propose that the future collection market of Jian-kiln Jianzhan can only be measured by quality indicators. And no longer considers what is new and old, true and false, and do not need to consider whether it is a master's, a famous family's, or an ordinary craftsman's. As long as the quality standards are high, its collection value is great. (Issue 18)

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Continuously updating.

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