2022台北電影節｜焦點影人：邱炯炯｜姑奶奶 Madam

《姑奶奶》Madam
邱炯炯 QIU Jiongjiong
中國 China ｜ 2010 ｜ DCP ｜ B&W ｜ 121min

2010 北京獨立影像展 Beijing Independent FF
2014 台灣國際紀錄片影展 TIDF
2022 鹿特丹影展 IFF Rotterdam

故事在鋼琴樂音中揭開序幕。碧浪達頂著一頭蓬鬆捲髮，指間叼著煙、手裡握著麥克風，網格衣包裹著肉感的身軀，充滿磁性的嗓音迷離地唱著情與愛，這是屬於她夜晚的小小舞台。白天，他是時尚裁縫樊其輝，夜幕低垂時，則搖身一變成為足蹬20公分高跟鞋的碧浪達夫人，風情萬種，剛烈而美艷。在鏡頭前面，她以真面目示人，侃侃而談那缺乏安全感的童年、不被社會認可的性別認同，一路走來顛簸的心酸血淚，都化為她舞台上的光和熱。

邱炯炯在北京三里屯南街的「法雨」酒吧初次看見碧浪達的演出後，立刻深受吸引，跟拍了近十場，累積了超過20小時的影像素材。這是他首次將攝影鏡頭對向親友之外的人物，以兩小時的紀錄長片篇幅，呈現一齣濃墨重彩的獨角戲，為碧浪達傳奇的一生，留下難以忘懷的見證。

「我想做一部兩個小時的獨角戲，乾乾淨淨，利利索索。觀眾在畫外以笑聲和掌聲暗示，這更符合舞台規律。」――邱炯炯

This vibrant portrait of a trans performer who styles himself "Bilan de Linphel" (birth name Fan Qihui) is at the same time personally intimate and exhilaratingly expansive. It was filmed by Qiu Jiongjiong over a couple of days of interviews, plus several weeks recording his stage shows in Beijing. A tailor by trade, Fan is no lip-synching "impersonator": kohl-eyed, bearing a magnificent curly wig, they belt out the cynical, idealistic, broken-hearted, proudly defiant lyrics of jazzy numbers. Interspersed are Fan’s sometimes angry, sometimes tearful, occasionally self-destructive and always bitterly ironic tales of being a queer person in contemporary China. Fan flourished performing their various identities for peril and pleasure. This is life as a knockout performance: resplendent and ultimately tragic.

▍2022 台北電影節 ▍
時間：2022/06/23~07/09
地點：台北市中山堂、信義威秀影城、光點華山電影館

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