Abandoned: 1230 AD Someshvara Temple. Haranhalli, Arsikere Taluka, Hassan District, Karnataka,India.

The Someshvara temple at Haranhalli, dedicated to Lord Shiva is one of two historic temples at Haranhalli. The Lakshminarasimha Temple, a few hundred meters to the west – is dedicated to Vishnu. Both temples reflect a Vesara-style Hoysala architecture, share similar design ideas and features, and were completed in the 1230s by three wealthy brothers – Peddanna Heggade, Sovanna and Kesanna.

Map Location:https://goo.gl/maps/pPawbZwupVhe3Wcn7

The Someshvara temple is more damaged and ruined than the nearby Lakshminarasimha, but its surviving art and panels from Shaivism, Vaishnavism and Shaktism are notable. Also notable is its illustration of three entrance-style, square plan Vesara architecture with an integrated circumambulation path on the jagati.

Haranhalli, – also referred to as Harnahalli, Haruvanahalli or Hiriya Somanathapura in historic inscriptions – is located about 35 kilometres east of Halebidu and about 35 kilometres northeast of Hassan city in Karnataka state, India. It is connected to India's highway network with NH 73 and SH 21.

The Somesvara temple at Harahalli is a mature Vesara architecture. It has only one sanctum and vimana with superstructure. Like the Lakshminarasimha temple nearby that also completed in 1234 CE, this temple sits on a jagati . This platform, in addition to adding visual beauty, provides the devotees a path for circumambulation (pradakshinapatha) around the temple.

The temple plan is a ekakuta (single shrine) but made to look like a trikuta (three shrined) due to the two simple lateral shrine like structures. The main shrine is stellate (star-shaped), has a complete superstructure (tower or shikhara) and a sukhanasi (nose or tower over the vestibule) which is similar to that in the Lakshminarasimha temple.

The tower over the shrine and its vestibule (sukhanasi or nose) are intact. The kalasa on top of the tower (the decorative water-pot at the apex of the tower) is however missing. The decorative plan of the walls of the shrines and the hall reflects the mature Hoysala style with two eaves that run around the temple.

The first heavy eaves runs below the superstructure and all around the temple with a projection of about half a meter. The second eaves runs around the temple about a meter below the first. In between the two eaves are the miniature decorative towers (Aedicula) on pilasters. Below the second eaves are the wall panel of images of Hindu deities and their attendants in relief.

Below this, at the base are the six equal width rectangular moldings (frieze). Starting from the top, the friezes depict; hansa (birds) in the first frieze, makara (mythical fused creatures) in the second, the usual depiction of scenes from the Hindu epics are absent in the third frieze which has been left blank. This is followed by leafy scrolls in the fourth frieze. The fifth and sixth friezes exhibit high quality workmanship in depicting horses and elephants respectively.

Many blocks of the superstructure have no carvings. Similarly, the frieze work on the moldings at the base is missing.

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