King Stur Gav Sound System ft Josey Wales, Puddy Roots & General Trees
Автор: Official Reggae Vibes
Загружено: 2023-02-27
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King Stur Gav Sound System ft Josey Wales, Puddy Roots & General Trees
King Sturgav, also known as simply Sturgav HiFi was U-Roys Sound System. It is also frequently referred to as (King) Stereograph. It started in the mid-'70s sometime after that King Tubby's sound system had been destroyed by the police.
The name was an abbreviation of U-Roys son's name and his own. St for Stewart, U-Roy and Gav from Gavin. The sound has also been called Stereograph. Sturgavs' name doesn't have any relation with Sturmars which was the sound owned by Skeng Don. Deejay on Sturgav, except for U-Roy himself, was Ranking Joe. Later on followed Brigadier Jerry, Charlie Chaplin and Josey Wales.
Sturgav featured on the first ever live dancehall record "Live At The Fish Club" released in 1983.
General Trees (born Amos Edwards, Drews Land, Kingston, Jamaica, c.1960) was one of the most popular Jamaican dancehall deejays of the 1980s, best known for his hits in the latter half of the decade.
General Trees is widely regarded as the best Jamaican speed rapper of his era, the "fast style" of delivery commonly accepted as arriving in Jamaica from the UK, through London-born Phillip Papa Levi. He first found fame as a sound system star, working on Maurice Johnson's Black Scorpio system, which he had followed since the 1970s, his brother having preceded him as a deejay on the system. His name was given to him by Barry G, who thought he sounded like "a General with three voices in one". When Johnson opened his own studio, also named Black Scorpio, he began producing recordings, including those by artists that had performed with his sound system, including Trees and Lord Sassafrass. His debut single, "Mi God Mi King", topped the Jamaican singles chart, and a string of hits followed, including "Heel And Toe", "Monkey And Ape", "Ghost Rider", and "Crucifixion", although his best-remembered song is "Mini Bus", which lamented the demise of the "jolly bus", and which was awarded the title "Song Of The Year" in 1986 from the Jamaica Broadcasting Corporation. The award raised his profile and he went on to record for a variety of producers in Jamaica. Further hits followed with "Gone A Negril" (#2 in 1986) and "Calling All Higglers", and he contributed to a "clash" album, Battle Of The Generals, that featured versions of "Lambada" and "Think Twice". Trees also recorded combination hits including "Coke Pipe" with Fancy Black, and "Nightmare" with Little John. In the early 1990s, he again worked with Johnson, who also acted as his manager, but a falling-out between the two led Trees to work for other producers. Although he never repeated his earlier popularity, he had some success with "Eye Nah See", "Great Jamaican Jockeys" and "Goodie Goodie". He was less active during the late 1990s, although he recorded "Lik Him But Nuh Kill Him" for Linval Edwards in 1999. After that he was largely silent until he reunited again with Johnson in 2005, recording new songs including "Run di Place Again", "Mother of the Land", and "She Says She Loves Me".
Josey Wales was born Joseph Winston Sterling in West Kingston, Jamaica, and took his stage name from the Clint Eastwood Western The Outlaw Josey Wales; naturally, "The Outlaw" became a standard nickname for him, along with "The Colonel." Wales first performed professionally as a DJ with the Roots Unlimited Sound System in 1977 and made his name as part of U-Roy's King SturGav Hi-Fi Sound System, where he spent three and a half years in the early '80s. There he teamed with DJ sparring partner Charlie Chaplin in one of the most potent one-two punches of the era, which in turn made King SturGav arguably the biggest sound system around. Wales' first recordings were live performances issued on producer Bunny Roots' label, but he didn't enter the studio until he hooked up with the foremost producer in early dancehall, Henry "Junjo" Lawes. Wales began moonlighting for Lawes' Volcano sound system, and in 1983, he issued his first-ever single on the Volcano label, "Baby Come Home."
"Baby Come Home" wasn't a big hit, but its follow-up, "Let Go Mi Hand," was a breakthrough smash that established Wales as a recording star, not just an electrifying live performer. His debut album, The Outlaw Josey Wales, appeared later in 1983, and it cemented his status as one of Jamaica's top DJs, behind only Yellowman at his peak. Further hits followed, including "Bobo Dread" (which appeared on a shared album with Yellowman, 1984's Two Giants Clash) and "Drug Abusing" (on his second proper solo album, 1984's self-produced No Way No Better Than Yard). In 1985, Wales moved over to producer King Jammy's label and recorded a series of hits that included "Na Lef Jamaica," "Ha Fi Say So," "Right Moves," "It's Raining," and "Water Come a Mi Eye," among others.
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