Counter-Cultural Creativity & De-Mystifying Songwriting | What God’s Doing in South Florida
Автор: For The Glory
Загружено: 2025-12-09
Просмотров: 17
"The more that you write, the less pressure you put on your writing."
We are thrilled to have Nate Emmanuel on the pod, all the way from South Florida. His story is bold, honest, and full of faith-filled leaps. From moving across the country on a massive step of obedience to navigating the temptations and pressures of the creative world, Nate opens up about all that God is doing through his ministry "To The Lamb" and his music. He describes his music as a blend of pop, hip-hop, neo-soul, and sometimes a cinematic musical.
In this interview he pulls back the curtain on his creative process, de-mystifies common songwriting misconceptions, and shares how he copes with the battle to remain counter-cultural but also engage with society. We dive into stepping into your calling even when it’s uncomfortable, creating content that points to eternity instead of personal fame, and saying the things others might shy away from. Nate also reflects on living in a culture that idolizes artists, resisting temptation, and the tension of marketing ourselves: “There’s this appearance of holiness that comes from not being in an environment that exposes certain sins.”
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Follow To The Lamb: / tothelamb.southflorida
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0:00 Intro
2:10 First Nate Emmanuel Song You Need to Hear
2:48 Nate’s Journey & Come Up in Music
4:26 Sources of Inspiration Behind His Music
9:27 Talking About Controversial Lyrics
11:33 Marketing Yourself Without Losing Authenticity
14:40 The Challenge of Staying Counter-Cultural While Engaging Society
17:30 Inside Nate’s Creative Process
20:00 De-Mystifying “Creator’s Block”
22:30 To The Lamb: Devotion Meets Musical Craft
27:44 Building Community in Florida
33:22 Nate’s Vision for the Christian Music Industry
37:18 Choosing the Right Collaborators
40:21 Making Music Without Playing an Instrument
42:38 Nate as a Visual Artist
43:54 Putting You On Segment: Who Will You Tell - Beth Vickers, Mark Beswick
45:23 Outro
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