Warwick Classics' Society's 2025 production of Aeschylus' Agamemnon at the Warwick Arts Centre

Director: Fred Brierley
Producer: Colleen Baxter-Locker
Stage Manager: Stella Omotade-Oyinkansola
Academic consultant and executive producer: Dr Emmanuela Bakola
Music Composer: Rhianna Pike
Costumes Designer: Hana Lawrie

The production has drawn on Dr Emmanuela Bakola's following published and forthcoming work:
• (2018a) ‘Seeing the invisible: Interior Spaces and Uncanny Erinyes in Aeschylus’ Oresteia’ in Kampakoglou, A. and Novokhatko, A. (eds.) Gaze, Vision and Visuality in Ancient Greek Literature, De Gruyter Press, 163-186
• (2016) ‘Textile symbolism and the ‘wealth of the earth’: creation, production and destruction in the ‘tapestry scene’ of Aeschylus’ Oresteia (Ag. 905-78)’, in Harlow, M., Nosch, M.-L. and G. Fanfani (eds.) Spinning Fates and the Song of the Loom: the Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative, Oxbow Books, Oxford: 115-136.
• (2019b) ‘Reconsidering the chthonic in Aeschylus’ Oresteia: Erinyes, the earth’s resources, and the cosmic order’ in Hunt, A. and Marlow, H. (eds) Greening the Gods: Ecology and theology in the Ancient World, London, Bloomsbury Academic, 103-118
• (forthcoming) ‘Mapping the cosmos: The cosmological imagination of Aeschylus' Oresteia', forthcoming in Stewart and Lamari, eds 'Departing the polis: Travel and Travellers in the Extant Plays and Fragments of Greek Drama'
(forthcoming) Performing the cosmos: the Erinyes and the Economy of Aeschylus' Oresteia