How This Epic Was Shot in 5 Different Formats: The Brutalist

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Brady Corbet’s The Brutalist is shot on a host of different analogue formats - from 35mm Vista Vision all the way to Betacam tape. What are these formats and why did they use them?

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Roie Shpigler - ‘Ancient Orchid’
We Dream Of Eden - ‘Ascension’
Rotem Cinamon - ‘Dreaming About Summer’
Kyle Preston - ‘Polarity’
Sero - ‘Mid August’
Liquid Memoirs - ‘Waking Up In Limbo’
Joley - ‘Night Stroll’
Chill Winston - ‘The Truth’

0:00 Introduction
0:59 Formats
3:10 Vista Vision
5:03 Squarespace
5:51 What Is Each Format Used For?
11:17 Conclusion

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