Enforcer 09Sep2025 full show 4K60 @1720 Los Angeles 90021 Unshackle Me, Nostalgia, Die Young + 7

0:00 1 Destroyer - From Beyond (2015)
3:55 2 Undying Evil - From Beyond (2015)
7:48 3 Unshackle Me - Nostalgia (2023)
14:14 4 From Beyond - From Beyond (2015)
18:17 5 Live for the Night - Diamonds (2010)
21:05 6 Die Young (Black Sabbath cover - Heaven and Hell (1980))
26:09 7 Nostalgia - Nostalgia (2023)
30:04 8 Mesmerized by Fire - Death by Fire (2013)
34:09 9 Take Me Out of This Nightmare - Death by Fire (2013)
42:28 10 Midnight Vice - Diamonds (2010)
45:41 Credits, songs and tech detail
46:32 show flyer and merch table - backing track 1 White Lights in the USA - Nostalgia (2023) 31 sec edit - full 2min 41sec song here:    • White Lights in the USA  
47:04 2 From Beyond 28May2023 @Rock Hard Festival, Amphitheater Gelsenkirchen, Germany, from WDR Rockpalast - awesome pans, zooms, crane flyovers!
1min 24sec edit - full 42min 53sec WDR Rockpalast concert video here:    • Enforcer live | Rock Hard Festival 2023 | ...  

See Enforcer!
Tour https://enforcerofficial.com/#tour
Merch https://undying-evil-fashion-designs....

Lead vox + guitar Olof Wikstrand
Drums Jonas Wikstrand
Guitar Jonathan Nordwall
Bass Garth Condit

Enforcer 09Sep2025 @1720, Los Angeles 90021
Thanks to the merch table person and Olof and the band for the up-close wristband!

Tech notes:
Audio doesn't have as much stereo separation as normal for the Shure MV88 mic -- I accidentally selected the Speech preset, with its 60 degree spread rather than the optimal MOTIV app Band preset with 120 degree spread. I blended some of the on-camera stereo mic audio to widen the stereo field slightly. Those mics are only separated 4.5cm, firing upward on the top of the camera body, but a slight improvement.

LED backdrop syndrome: Causes autoexposure to underexpose the performers, when the backdrop is in frame. I went through the entire show in Final Cut and manually increased exposure in those parts.
Proposed workaround for future bright-backdrop shows: Decide early in the show, on a manual exposure setting: ISO / shutter duration / iris, optimized for the performers rather than the backdrop. While manually monitoring the ISO for unusually bright / dark framings. This will sometimes overexpose the backdrop -- well worth it to avoid underexposing the performers.

SOURCE VIDEO: Sony FX3, 4K 59.94f/s 100Mbit/s HEVC 4:2:2 10bit color, full-frame sensor, Sony 4.8x power zoom lens 28-135mm, auto exposure iris, shutter, ISO, in-lens OSS
SOURCE AUDIO: Shure MV88 stereo mic, linear PCM 24bit 48kHz blended with built-in camera stereo mic; MOTIV 3.7.6, accidentally used Speech preset, 60 deg stereo separation rather than 120 deg with Band preset; 33dB gain reduced to 0dB; 4-band compression added in post
EDIT: Final Cut Pro X 10.6.8 - macOS 12.7.2 20Sep2025
Export encoding: H.264 8bit 4:2:0 color SDR 50Mbit/s, AAC audio
As for my anatomy being different from yours, I am delighted: Jim Antera Ross

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