Dynamic Colors

Dynamic Colors #9547 Contemporary Art Mark Making Fluid Acrylics 12.12.2023 Intuitive art
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I am using a 16" x 20" stretched canvas. The colors I am using are mostly Prizm pour acrylic colors and Primary Elements Pigment powders by Colour Arte.
Colourarte Colors Primary Elements=P.E. (Pigment Powders) Prizm Pours Colors-P.P.-Vivid Intense Acrylics V.I. Vivid Intense Fluorescents-listed-Poinsettia-P.P. Jasmine-P.E.-Isadora-P.E.-Sour Lemon with added Orange Crush-P.P.- Tuscan Sun_P.P. Shiny Taffeta-P.P.-Orange Crush-P.P.
Saffron-P.P.-Wild Orchid-P.P.-Indigo Violet-P.P.-Bali Hi-P.P.-Parrot Wing-P.P.-Phthalo Turquois-V.I.-
Luv U Pink-P.E.-Red Violet-P.VI.Fluorescent-Indian Spice Gold-P.P.-Alizerine Rose-V.I.
Frosted Berry-P.P.-Blue Velvet-P.P.-White V.I.

The Black acrylic is from Meeden. 3/4 Floetrol and 1/4GAC 800 by Golden.are mixed together and then 50% paint and 50% mixture are combined.

Cell activators are created using Australian Floetrol. I use a variety of acrylic paints brands most commonly Amsterdam ( Black or White) a 50% paint & 50% Aussie Floetrol
The Gold Cell activator is both Aterier Rich Gold & Pebeo iridescent gold mixed together and mixed 50-50 with Aussie F.

Recipes for mixing Prizm Pour paint, for general pouring and blooms. The Prizm Pour Acrylic paints are mixed with either Vivid Poly Pour or Vivid enamel ( both available from Colour Arte )as pouring mediums with additions of GAC 800 and Jo Sonja Gloss Varnish.
To mix a batch of pouring medium in a container large enough to hold a substantial quantity, start by adding 25%GAC 800(into a resealable container) that will hold and store the quaintly of pouring medium) The GAC both helps it to flow and prevents cracking(if the mixed paints are left too heavy).
After the GAC800 use Vivid Poly Pour or Vivid Enamel and fill to the halfway point, This is when I add a healthy squirt of Jo Sonja Gloss varnish and resume filling the remainder of the container with more Vivid Poly Pour or Vivid Enamel (whichever I am using). Use this pouring medium for Prizm Pours and Primary Elements Pigment powders. I half a large mouth squeeze bottle to the halfway mark and add Prizm pour paint to within an inch of the bottle opening. I use the handle from a spatula (head removed) to mix. If the mixture is too thick (often) I begin to add distilled water to thin the mix stirring thoroughly between additions of more water. You can do this anywhere from 5% to max 25%.
If you are not using a mica-based product you can use Floetrol to thin the mix and benefit from the leveling quality.
I recommend(at most) an estimated 10%-20% of the already mixed pouring medium.
Vivid Intense and Vivid intense acrylics can be used to tint straight pouring medium for colors.
Mixing pigment powders begins with a receptacle that will hold the amount you expect to fill an application container with.
Add a couple of tablespoons of Pouring medium to the mixing container (BOWLs work best for me) and (wearing a mask) scoop out a heaping portion of powder. You can stir thoroughly but I use a whisk (clean by immediately dipping into rinse water and shaking thoroughly directly after each use) after the powder is dissolved ( add more for stronger colors or larger quantities) finish by adding the necessary quantity and mix again until thoroughly combined. Bonus -if using a whisk it is possible to add more powder if necessary without issue.




Every day I learn new things. I will never stop experimenting and am happy to share what I discover with you. These artworks are my art therapy and my vocation. I am Priscilla Batzell instinctive spontaneous painter of contemporary art.

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