First Time Hearing REFUSED! Bass Teacher REACTS to "The Deadly Rhythm"

"The Shape of Punk to Come" FULL-ALBUM Reaction:   / full-album-shape-113108229  
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➡️ I get a LOT of requests lately, but I've noticed that any request for Refused comes with sentiments like "get ready" and "be warned", and I think I understand why. Apparently, the band called it quits in 1998 shortly after the release of "The Shape of Punk to Come", and then the album quickly garnered a cult following. "The Deadly Rhythm" completely pulled the rug out from under me with deep rhythmic motifs, atonal transitions, balls-to-the-wall intensity, and then some sort of...fever-dream jazz breakdown. I discuss some of the music theory behind the composition (what I was able to catch, anyway...), the deep-rooted hemiola between the riffs and the main groove, a breakdown of the approaches behind the bass parts, and much more!
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0:00 Intro
1:02 Reaction / Analysis
11:15 Final Thoughts
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Mark Michell is an internationally-touring and recording bass player known for his work with Scale the Summit, Tony MacAlpine, Tetrafusion, Watermox, and more. Michell is a published educator and author for Hal Leonard, the world's largest music publisher, and has taught bass clinics around the globe for many years. He founded Low End University in 2015, and has since enrolled over 2,500 students through his lessons program. Alongside his educational endeavors, he played on many Billboard-charting album releases and is sponsored by Jackson Basses, EMG Pickups, and Dunlop.
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👉 Original Video from ‪@epitaph‬:    • Refused - "The Deadly Rhythm" (Full Album ...  

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#refused #thedeadlyrhythm #reaction #theshapeofpunktocome #lowenduniversity
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of music education.