vivo X200 Ultra & MotionCam Full Sensor (4080x3072) Over-sampling to 4K [RAW Vlog July 12-16, 2025]

I continue to film the same unchanging everyday life. I want to record the preciousness of this "unchanging" existence amidst the passage of time.



===== Filming & Workflow Details =====


This video was shot using the Vivo X200 Ultra and the professional camera app, MotionCam Pro V4.

I captured RAW footage with the full sensor (4080x3072) and then downscaled it to the common 3840x2160 4K resolution in DaVinci Resolve.

This oversampling workflow not only helps to further enhance the video's perceived resolution but also allows for cropping with minimal quality degradation when using DaVinci Resolve's built-in stabilizer.

Among the methods I've tried so far, I believe this might be the best smartphone video workflow currently available.

All three cameras of the Vivo X200 Ultra (14mm, 35mm, 85mm) are recognized and fully usable with MotionCam Pro V4. Their respective camera specifications are as follows:

〇 14mm (Ultrawide)
Sensor: 50MP LYT-818
Sensor Size: 1/1.28-inch (1.22μm pixel size)
Lens: f/2.0
Stabilization: CIPA 5.0 level Optical Image Stabilization (OIS)

〇 35mm (Wide)
Sensor: 50MP LYT-818
Sensor Size: 1/1.28-inch (1.22μm pixel size)
Lens: f/1.69
Stabilization: CIPA 5.0 level Optical Image Stabilization (OIS)

〇 85mm (Telephoto)
Sensor: 200MP ISOCELL HP9
Sensor Size: 1/1.4-inch (0.56μm pixel size)
Lens: f/2.27
Stabilization: CIPA 5.0 level Optical Image Stabilization (OIS)

These three amazing cameras all fit in your pocket, and RAW shooting is possible with MotionCam Pro V4. You won't find a cinema camera this thin and light anywhere else.

Furthermore, MotionCam Pro V4's OIS settings also function without issue, so even without using an external gimbal, optical image stabilization is provided to a certain extent. I truly believe this is the world's smallest and best cinema camera.




===== Gear & Software Settings =====


[Camera]
vivo X200 Ultra (12GB/256GB)


[Editing Apps]
DaVinci Resolve studio 19 (Mac Edition)

〇 Preferences → System → General
Use 10-bit precision in viewers if available: checked
Use Mac display color profiles for viewers: checked

〇 Project Settings
Timeline Format
Timeline Resolution: 3840 x 2160 Ultra HD

Image Scaling
Resize filter: Custom
Method: Lanczos

Input Scaling
Mismatched resolution files: Scale full frame with crop

Color Management
Color science: DaVinci YRGB
Timeline color space: DaVinci WG/Intermediate
Output color space: Rec.709-A (for Mac)

〇 Camera RAW (Camera RAW settings displayed on the Color tab after selecting a clip)
Decode Using: Clip
Color Space: P3 D60
Gamma: Linear
Highlight Recovery: checked

〇 ResolveFX Color → Color Space Transform (CST)
Input Color Space: P3-D60
Input Gamma: Linear
Output Color Space: ARRI Wide Gamut3
Output Gamma: ARRI LogC3

〇 LUTs
Arri Alexa LogC to Rec709


[Other Apps used]
MotionCam Pro V4
https://www.motioncamapp.com

OpenMTP (Used for file transfers between Mac and Android devices)
https://openmtp.ganeshrvel.com

MotionCam Tools (Mac OS Universal version)
https://storage.googleapis.com/motion...

〇 MotionCamTools rendering settings
Apply vignette correction to DNG　- OFF
Compress DNG　- ON