Ana Vidovic | J. S. Bach - Prelude BWV 1007 (Cello Suite No. 1) Guitar Tab

Interpretação de Ana Vidovic para uma das obras mais icônicas de J.S. Bach.
Neste material, você terá acesso à tablatura completa e detalhada do Prelude in D (Cello Suite No. 1) J.S. Bach - BWV 1007, baseada fielmente na performance de Ana Vidovic.
Canal SiccasGuitars:
   • Ana Vidovic plays from the Cello Suite No....  
Esta é uma transcrição para fins de estudo, baseada na performance pública de Ana Vidovic.
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Sobre a Notação e Técnica:
Nesta tablatura, as notas acentuadas indicam que devem ser tocadas com apoio ou seja, o dedo que dedilha repousa na corda imediatamente superior após tocar a nota, produzindo um som mais encorpado e articulado.
No Guitar Pro, esse recurso é indicado pelo acento, mas o programa não possui um símbolo específico para 'apoio'.
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A afinação Drop D abaixa um tom a sexta corda de Mi para Ré (D-A-D-G-B-E).
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Performance by Ana Vidovic of one of J.S. Bach's most iconic works.
In this material, you will get access to the complete and detailed guitar tab for Prelude in D (Cello Suite No. 1) - J.S. Bach, BWV 1007, faithfully transcribed from Ana Vidovic's performance.
SiccasGuitars Channel:
   • Ana Vidovic plays from the Cello Suite No....  
This is a transcription for study purposes, based on the public performance by Ana Vidovic.
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Notation & Technique Guide:
In this tablature, accented notes indicate that they should be played with apoyando (rest stroke) — meaning the plucking finger comes to rest on the adjacent string after playing the note, producing a fuller, more articulated sound. This is an essential technique for Baroque phrasing on the guitar.
In Guitar Pro, this is notated using the accent mark, as the software does not have a dedicated symbol for 'rest stroke'.
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Drop D tuning is a guitar tuning where the lowest E string is lowered a whole step to D, making the string order D-A-D-G-B-E.
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