Hilary Hahn; Sebelius violin Concerto in D Minor

Composer: Jules Massenet (1842–1912)

Written: 1894

Genre: Intermezzo (orchestral interlude) from the opera Thaïs

Instrumentation: Solo violin and orchestra (also performed with piano accompaniment)

Key: D major

Duration: ~5–6 minutes



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🌹 Context in the Opera

Méditation appears in Act II of Massenet’s opera Thaïs.

The story is about Thaïs, a beautiful courtesan (a woman of pleasure) in ancient Alexandria, and Athanæel, a monk who tries to lead her toward a life of faith.

The Méditation comes at the turning point of the opera — when Thaïs begins to doubt her worldly life and contemplates spiritual redemption.

The violin solo represents her inner awakening and transformation — a moment of peace, reflection, and divine light.



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🎻 Musical Description

Begins with a gentle, lyrical violin melody over soft harp and orchestral chords.

The line soars high with expressive portamentos (slides) and warm vibrato — a hallmark of French Romantic style.

The melody unfolds like a vocal prayer, full of longing and serenity.

Gradually intensifies emotionally, then returns to calm — as if Thaïs finds spiritual peace.



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💫 Violin Technique

Technically not extremely difficult, but requires:

Perfect tone control and smooth legato bowing.

Warm vibrato and expressive phrasing.

Sensitive use of portamento (sliding between notes elegantly).

Command of upper positions for the soaring climaxes.


It’s more about emotion and beauty of sound than virtuosity.


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🌟 Performance and Legacy

One of the most beloved encore and recital pieces for violin.

Often performed with piano instead of orchestra.

Famous recordings by Itzhak Perlman, Joshua Bell, Sarah Chang, Anne-Sophie Mutter, Hilary Hahn, and Janine Jansen.

Also adapted for cello, flute, and even voice and organ.


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💖 Meaning and Emotion

The Méditation captures the moment when the soul rises above earthly beauty toward spiritual peace.
It’s calm, reflective, and transcendent — pure Romantic spirituality in sound.