SILK SMITHA || ACTRESS LIFE || VINEETH ADAPA PODCAST

Vadlapati Vijayalakshmi (2 December 1960 – 23 September 1996), better known by her stage name Silk Smitha, was an Indian actress and dancer who worked mainly in Tamil (over 200 films)and Telugu (over 100 films) cinema, in addition to some Kannada, Malayalam and Hindi films.[1] She became one of India's most popular sex symbols of the 1980s and early 1990s, as well as one of the most sought-after erotic actresses in South Indian cinema in the 1980s.[2][3] Smitha was a key figure in the Malayalam softcore film genre in the late 1980s.[4]

In a career spanning 18 years, she appeared in over 450 films.[5] Smitha was part of several successful dance numbers in the 1980s Indian films.[6] She entered the industry as a supporting actress, and was first noticed for her role as "Silk" in the 1979 Tamil film, Vandichakkaram.[5]

Early life
Smitha was born in Kovvali village in Eluru district, Andhra Pradesh on 2 December 1960 to Telugu parents, Vadlapati Ramallu and Sarasamma.

Due to family poverty, she had to drop out of school during the fourth standard. Her family pushed her into marriage with an older man at the age of 14, despite being underage, due to their financial situation.

Her husband and in-laws abused her, and within two years she walked out of this marriage and ran away, working as a housemaid to support herself. She then moved to Chennai to live with her sympathetic mom, working as a make-up or "touch-up" artist.[7][8][9]

Career
Smitha started as a touch-up artist for the actress Aparna and soon got a break in small character roles.[7] She was given her first movie role as a heroine by Malayalam director Antony Eastman in his film Inaye Thedi, though the movie was released very much later. Eastman gave her the name Smitha.[10]

She got her big break in Tamil cinema after director Vinu Chakravarthy took her under his wing; his wife taught her English and arranged for her to learn dancing,[11] though soon, due to her marked sex appeal, she switched to roles of cabaret dancers and vamps and inevitably found herself typecast.[7]

After garnering much notice and acclaim with her first major role in the Tamil film Vandichakkaram,[12] in 1980, Smitha assumed the screen name "Silk", after her character's name in the movie.[13][14] After it became a big hit, she could not escape typecasting, severely limiting her range throughout her career.[7]

Smitha went on to star in Tamil, Malayalam, Telugu, Kannada and a few Hindi films. Her dance numbers and bold performances in films such as Moondru Mugam made her the ultimate symbol of sensuality in South Indian cinema. Her item numbers in films such as Amaran and Halli Meshtru (in Kannada) were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[15] A vast majority of her movies are considered "softcore" by Indian standards and a common theme is her playing a strong agent beating up huge thugs.

Her acting prowess did not go completely unnoticed, and in her rare non-sexual roles she impressed critics and audiences in Alaigal Oivathillai (1981).[7] One of her Malayalam softcore films, Layanam (1989), has earned cult status in the Indian adult film industry and was dubbed in numerous languages, including Hindi as Reshma Ki Jawani (2002), acquiring cult status.[7][16] Her most respected film is Moondram Pirai, by Balu Mahendra, remade in Hindi as Sadma, with much of the top-drawer cast, including Sridevi, Kamal Hassan, and Silk Smitha reprising their roles.[17]

Such was her audience-drawing power that, at the peak of her career, according to Tamil film historian Randor Guy, "Films that had lain in cans for years were sold by the simple addition of a Silk Smitha song."[7]

Personal life
Smitha had a small circle of close friends. Owing to her harsh childhood and traumatic upbringing/early marriage, she was an introvert who was said to not make friends easily.

She was often known for her short temper, determination and straightforwardness, which some mistook for arrogance.

She was punctual (arriving at movie sets well before the shooting commences), responsible, and ambitious (having learned to speak the English language fluently despite her limited education). She was also described as having a "soft" and "childlike" personality by her friends and fans. She was skilled with costume design, makeup and made it her profession before entering the industry.[18]

Death
On the night of 22 September 1996, after a Kannada film shoot, Smitha contacted her friend, the actress Anuradha, to discuss a serious but unspoken issue that was disturbing her. Later that morning, Smitha was found dead by hanging in her hotel room. She was 35 years old.‪@TeluguGeeks‬ ‪@FlowPodcast‬ ‪@tv9kannada‬ ‪@etvteluguindia‬ ‪@Ayejude‬ ‪@ThinkTeluguPodcast‬ ‪@YouTube‬ ‪@Spotify‬ ‪@TeluguMoviesVolga‬ ‪@BBCNewsTelugu‬ ‪@teluguactresslub5608‬